Results: Text (697) Images (0)

Sort by
Results per page
Results showing
1 - 25 of 697 (28 pages)
    Page 1 of 28
The United States

Brenda Sternquist and Elizabeth B. Goldsmith

Source: International Retailing, 3rd Edition, 2018, Fairchild Books Library

Book chapter + STUDIO

After studying this chapter, you should be able to:

A Century of Fashion

Elaine Stone and Sheryl A. Farnan

Source: The Dynamics of Fashion, 5th Edition, 2018, Fairchild Books Library

Book chapter + STUDIO

As Coco Chanel, Coco,Chanel once observed, “Fashion is not something that exists in dresses only. Fashion is in the sky, the street, fashion has to do with ideas, the way we live, what is happening.” Every part of life, including economic conditions, political events, health issues, cultural happenings, and more, affects what people wear, how it is produced, how people buy it, and how much they are able or willing to pay for it.

The Design Sketch: A History of Style

Linda Tain

Source: Portfolio Presentation for Fashion Designers. Fourth Edition, 4th Edition, 2018, Fairchild Books Library

Book chapter

As women began to be assimilated into the male-dominated workplace, the need arose for a more tailored and functional working wardrobe. Enter the streamlined hourglass silhouette with leg-o’-mutton sleeve, giving new emphasis to the shoulder line. Multiple petticoats replaced the crinoline and bustle, whereas the corseted bodice remained. The Gibson, Charles DanaGibson Girl look for evening, complete with poufed hair knotted on top, was even more detail oriented than its daytime counterpart, aide

Design Research and Inspiration

John Hopkins

Source: Menswear, 2nd Edition, 2017, Fairchild Books Library

Book chapter

You can say that designing is quite easy; the difficulty lies in finding a new way to explore beauty.

Design Development for Menswear

John Hopkins

Source: Menswear, 2nd Edition, 2017, Fairchild Books Library

Book chapter

A man should look as if he’s bought his clothes with intelligence, put them on with care and forgotten all about them.

Menswear Presentations

John Hopkins

Source: Menswear, 2nd Edition, 2017, Fairchild Books Library

Book chapter

There are three responses toa piece of design—yes, no,and wow! Wow is the one toaim for.

Fashion’s World Cities

Valerie Steele

Source: Paris Fashion. A Cultural History, 3rd Edition, 2017, Berg Fashion Library

Book chapter

Paris has changed, the system has changed, everything has been transformed. For the system to function, the participants have to be international, production has to be international. It’s clear that we no longer can or should be 100% French anymore.

Skirts

Steven Stipelman

Source: Illustrating Fashion. Concept to Creation, 4th Edition, 2017, Fairchild Books Library

Book chapter

We have come a long way since skirt hems swept the ground and women were not allowed to show an ankle. Until the 1960s, skirt lengths were dictated by a handful of major designers, and women followed their lead. Long, to the knees, or as short as the law would allow, until recently the length of a woman's skirt has always been a major fashion issue.

Pants

Steven Stipelman

Source: Illustrating Fashion. Concept to Creation, 4th Edition, 2017, Fairchild Books Library

Book chapter

The origin of women wearing pants is not known, but as far back as the first century c.e., women from the Middle East and Asia were wearing some form of pants. In a more modern time, Amelia Bloomer, attempting to banish the corset in the mid-1850s, helped to conceive an outfit consisting of a short skirt that was worn over full trousers that were gathered at the ankles. These trousers were called “bloomers” after her. The bloomer costume had a rather short life, but helped to introduce the concep

Menswear

Steven Stipelman

Source: Illustrating Fashion. Concept to Creation, 4th Edition, 2017, Fairchild Books Library

Book chapter + STUDIO

Women's clothes have been influenced by menswear as far back as the 1930s, when Marlene Dietrich was photographed wearing an adaptation of a man's suit. Additionally, Yves Saint Laurent has been designing tuxedo suits for women for the last 30 years.

Proportion and the Fashion Figure

Steven Stipelman

Source: Illustrating Fashion. Concept to Creation, 4th Edition, 2017, Fairchild Books Library

Book chapter

Sometimes the body takes over. Sometimes the garment takes over. Sometimes it is more equal. When the body takes over, as in a slinky gown, the garment does not come to life until it is on the body. When the garment takes over, as in a voluminous coat, the body is merely a hanger for the clothing. But many times, it is a combination of both.

The Fashion Face

Steven Stipelman

Source: Illustrating Fashion. Concept to Creation, 4th Edition, 2017, Fairchild Books Library

Book chapter + STUDIO

The 1920s was the age of the flapper. Women were much more emancipated than they were at the turn of the century. Makeup had a painted-doll look to it with Clara Bow and Gloria Swanson setting the style. There was an equal balance between the eyes and the lips, which were often cupid-bow-shaped and red. The eyes were shadowed and the brows rather thin. The cheeks were rouged, and at times a beauty mark was placed near the chin. The hair was sleek and bobbed, giving the head a very small look.

Shaping the Body

Steven Stipelman

Source: Illustrating Fashion. Concept to Creation, 4th Edition, 2017, Fairchild Books Library

Book chapter

1 Notice the planes of the female body—out over the breasts, in underneath them, going in at the waist, and rounding out over the hips. You can observe how shadows form under the areas that curve in and disappear on the areas that extend out.

Seeing the blur—perception, cool, and mechanized speed (1910–present)

Vanessa Brown

Source: Cool Shades. The History and Meaning of Sunglasses, 2015, Berg Fashion Library

Book chapter

speedindustrialised consciousness; panoramic perception; Virilio, PaulAlthough the now-ubiquitous image of bikini, shades, and sun-lounger might suggest that the ideal wearer of sunglasses enjoys the luxury of being blissfully inert, the dynamic power, excess, and seductive glamor of men and women speeding along in shades is undeniable—from the tough sheen of Marlon Brando in The Wild Ones to twenty-first century pop acts like Britney SpearsBritney Spears in “Toxic,” where impenetrable diamond-st

Seeing in the light—“sun”glasses, modern glamor, cool, and celebrity (1920s–present)

Vanessa Brown

Source: Cool Shades. The History and Meaning of Sunglasses, 2015, Berg Fashion Library

Book chapter

Today, a more general sense that sunglasses protect our eyes from sunlight dominates. After all, the name finally settled on for all kinds of motor goggles, protective spectacles, autoglasses, and so on was (and is) sunglasses, conjuring up countless images of those bikini-clad women and casual, white linen-clad men basking in the glow of their own attractiveness, their sunglasses bouncing back that gold-colored light of happiness and success. Smiling or not, these men and women are embodiments o

Seeing in the dark—sunglasses and “outsider” cool (1940s–present)

Vanessa Brown

Source: Cool Shades. The History and Meaning of Sunglasses, 2015, Berg Fashion Library

Book chapter

Many of the most evocative images show sunglasses worn in the dark, indoors, possibly because in these images we are forced to acknowledge their more oblique functions. Layers of darkness and blackness are compounded by dark frames with dark lenses in many of these images; think of Miles Davis in a murky club, in a dark suit, what light there is just highlighting the sheen of his skin against the intense glossy blackness of his shades.

Heading for the shade—the spread of outsider cool (1950s–present)

Vanessa Brown

Source: Cool Shades. The History and Meaning of Sunglasses, 2015, Berg Fashion Library

Book chapter

outsiderSunglasses were tactically used by people who were “outside” the goals and means of dominant society, as part of an articulation of a dissonant style which held an attraction just as great as that of those sunny images of “straight” success and leisure. This chapter will show how the more complex connotations of “outsider cool” became desirable and were appropriated by the “mainstream” in the 1950s and 1960s and beyond. Sunglasses could act as a sign of a “bettered self”—but they also sta

Seeing in the “eclipse”—sunglasses, cool, and the absence of meaning (late 1950s–present)

Vanessa Brown

Source: Cool Shades. The History and Meaning of Sunglasses, 2015, Berg Fashion Library

Book chapter

Warhol, Andyglamorempty (or hollow) glamorThe light is artificial and mirrors are provided, but not windows, because the characters must be protected from bleak, bruising reality.

Kate Moss

Karen de Perthuis

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

Kate Moss is one of the world’s most photographed women, a blank slate for contemporary dreams and desires. With a career spanning three decades, she is a rare enduring phenomenon in an industry defined by ephemerality and a brutal quest for novelty. In the summer of 1988, she was fourteen when spotted by model agent Sarah Doukas at JFK airport—a bored teenager from the London suburb of Croydon with almond eyes, cupid-bow lips, and “God-given bone structure.” She would soon become a fashion model

“Angie Dress,” Christian Dior by John Galliano, Haute Couture Fall/Winter 2000–2001

Waleria Dorogova

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

The omnipresent significance of the eighteenth century and the masked ball for the House of Dior found expression in the design of “Angie” for the “Masquerade and Bondage” collection, a short variation on 1760s court dress, paraphrasing the fashionable life and cruel fate of Marie Antoinette. Using the surface of the hip panels as a canvas for narrative and caricaturized embroideries, the dress becomes an epitome of storytelling through dressmaking, evoking crucial episodes of French history. Gal

Alexander McQueen for Givenchy, Fall/Winter 2000

Lydia Edwards

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

“I can’t be too literal with my references,” Alexander McQueen said in 2000, when asked to pinpoint the theme of a recent collection. “It’s a number of references culminating together to make one idea.” Nevertheless, with a researched family history dating back to the 1500s, McQueen always acknowledged that “Every part of my background comes from something, be it the Jacobites or the Huguenots,” and influences from Giovanni Bellini to André Courrèges can be glimpsed in his collections. The pieces

Dress, Culture, and Society

Joanne B. Eicher and Sandra Lee Evenson

Source: The Visible Self. Global Perspectives on Dress, Culture, and Society, 4th Edition, 2015, Fairchild Books Library

Book chapter

At the conclusion of this chapter, you will be able to:

Written Interpretations of Dress

Joanne B. Eicher and Sandra Lee Evenson

Source: The Visible Self. Global Perspectives on Dress, Culture, and Society, 4th Edition, 2015, Fairchild Books Library

Book chapter

At the conclusion of this chapter, you will be able to:

Ideals for Individual Appearance and the Art of Dress

Joanne B. Eicher and Sandra Lee Evenson

Source: The Visible Self. Global Perspectives on Dress, Culture, and Society, 4th Edition, 2015, Fairchild Books Library

Book chapter

At the conclusion of this chapter, you will be able to:

The Art of Dress: Conformity and Individuality

Joanne B. Eicher and Sandra Lee Evenson

Source: The Visible Self. Global Perspectives on Dress, Culture, and Society, 4th Edition, 2015, Fairchild Books Library

Book chapter

At the conclusion of this chapter, you will be able to:

Back to top
Results showing
1 - 25 of 697 (28 pages)
Page 1 of 28