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Ten: Quality, In the Nick of Time: Shinola

Joseph H. Hancock

Source: Brand Story. Cases and Explorations in Fashion Branding, 2nd Edition, 2016, Fairchild Books Library

Book chapter

A 2014 Economist article titled “Mo’ time for Motown” lightheartedly related the history of Shinola. Tom Kartsotis, the founder of Bedrock Manufacturing (named for the famous Flintstone’s cartoon’s home-town), bought the name for the company from a longtime brand of shoe polish (founded in 1907) that was best known for the slogan “You can’t tell shit from Shinola.” This was absolute perfection for Kartsotis, who believes that this company can someday become the largest manufacturer of high-qualit

Project One—Photoshop: Layers and Custom Brushes

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Two—Photoshop: New Ways of Drawing

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Three—Photoshop: Scanning Drawings for Editing and Recoloring

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Four—Photoshop: Vector Drawing and Brushes Applied as Strokes

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Eight—Photoshop: Fills, Textures, and Layers

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Nine—Illustrator: Paths to Fashion

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Ten—Simple Geometry in Illustrator

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will

Project Eleven—Repeat Patterns in Illustrator

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Twelve—Illustrator: Photoshop and Filters

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

Photoshop and Illustrator contrast with traditional media in their extreme predictability. Whereas this is normally to your advantage sometimes as a designer you might want some unexpected variation in the results. This is where Filters and Effects can come to your aid. With Filters and Effects you still have to think as a designer and use your individual creativity. Otherwise, an off-the-peg filter used artlessly can make your work look exactly like someone else’s who has used the same filter.

Project Thirteen—Illustrator: The Blob and Art Brushes

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Fourteen—Illustrator: Flats

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Fifteen—Illustrator: All the Trimmings

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Sixteen—Illustrator: Layout

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

Without some underlying structure in a presentation, elements can jump about randomly distracting the viewer and thereby working against your desire to appear professional

Project Seventeen—Illustrator: Presentation

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

Review

Project Eighteen—Photoshop: Presentation

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Introduction

Karl Aspelund

Source: The Design Process, 3rd Edition, 2015, Fairchild Books Library

Book chapter

We are surrounded by design. As I sit here at my computer, I can consider the design of its casing and the user interface of the software. I can also consider the design of my clothes. The keyboard, my teacup, the phone, the graphics on a book cover, my backpack, and the window frame are all designed; even my daughter's rock collection on the windowsill has been designed. Each rock has been chosen on the beach as a candidate for the collection and then intentionally placed on the windowsill as de

Fashion Curatorship and Scholarship

Michele M. Granger

Source: The Fashion Industry and Its Careers: An Introduction, 3rd Edition, 2015, Fairchild Books Library

Book chapter

Yves Saint Laurent and Pierre Bergé opened their haute couture house in 1962. During 40 years of creating fashion, Yves Saint Laurent used what was considered traditional masculine styling to bring women self-assurance and power, while preserving their femininity. His designs are part of 20th-century history, reflecting women’s emancipation in every domain, from personal to social to political. Yves Saint Laurent invented the modern woman’s wardrobe: the pea jacket, trench coat, the first women’s

Fashion 1970s–2000s

Colleen Hill

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

In London, the Victoria and Albert Museum’s 1971 exhibition “Fashion: An Anthology by Cecil Beaton” attracted more than 90,000 visitors, making it one of the most well attended shows in the museum’s history. While Beaton acquired examples of historical dress from some of Britain’s most fashionable women, he placed particular emphasis on recent fashion—a largely unprecedented idea. Also important was the exhibition’s experimental installation, created in part by professional store window dressers

Wendy Dagworthy

Michelle Labrague

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Designer Biography

Treatise for Fashion Sustainable Thinking

Van Dyk Manasseh Lewis

Source: Sustainable Fashion What’s Next?. A Conversation about Issues, Practices and Possibilities, 2nd Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

VAN DYK LEWIS is interested in art, philosophy, design, architecture, and the latent power of fashion as an agent for change in directing mass opinion. He is the director of Cornell Fashion at Cornell University.

Darzi to “Designer”: Crafting Couture and High-Fashion for India

Arti Sandhu

Source: Indian Fashion. Tradition, Innovation, Style, 2015, Berg Fashion Library

Book chapter

Over the past 20 years, the field of fashion in India has changed significantly. We see a shift from an industry that solely supported Western markets through exports, to an fashion design, Indianas a cultural activityfashion design, Indianindustry’s estimate worth (in 2012)fashion design, Indiankey distinguishing factorsfashion weeks, IndianFDCI (Fashion Design Council of India)industry that has begun to take Indian consumers, their tastes and their potential market base into consideration. Indi

Retail Merchandising

John Donnellan

Source: Merchandise Buying and Management, 4th Edition, 2014, Fairchild Books Library

Book chapter

The marketing channel represents the flow of goods from point of production to point of consumption. The model traces the distribution of a product from the manufacturer, or producer, to the final consumer, or ultimate user of the product. The marketing channel is sometimes referred to as the distribution channel, distribution pipeline, or supply chain.

Case Study Dolan’s Department Store

John Donnellan

Source: Merchandise Buying and Management, 4th Edition, 2014, Fairchild Books Library

Book chapter

The first Dolan’s Department Store opened in Providence, Rhode Island, in 1885 as Dolan’s Dry Goods. By the early years of the Great Depression, the founder, John M. Dolan, had opened downtown stores in Hartford, Connecticut; Poughkeepsie, New York; and Portland, Maine. Upon Mr. Dolan’s death in 1940, the stores were sold to four members of Dolan’s management. To provide capital for an expansion program into strip shopping centers in the 1950s, Dolan’s issued several thousand shares of stock to t

Learning Through Fashion: The Norwegian Museum of Science and Technology

Tone Rasch and Ingebjørg Eidhammer

Source: Fashion and Museums. Theory and Practice, 2014, Berg Fashion Library

Book chapter

The educational program is designed for history classes from the third year of high school when students are about 18 years old. It consists of a general tour of the museum exhibition that deals with the Industrial Revolution, focusing on the textile industry. Secondly, the students look at different original primary sources such as letters, an account book, and a sample book from the Hjula archive. After that the students receive a box with copies of selected sources and a question booklet relat

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