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Locating Sources in Foreign Markets

Richard Clodfelter

Source: Retail Buying. From Basics to Fashion, 6th Edition, 2018, Fairchild Books Library

Book chapter + STUDIO

Making the decision to import purchases from foreign sources requires that you prepare yourself for entering the global marketplace. Learn as much as you can about the people,brands generics,merchandise,merchandise quality of,global marketplace choosing the right sources,identifying reasons to buy from,buying,benefits of foreign sources,the culture, and the retailing practices of any country that you are considering as a foreign source. Possibly even learn a new language or at least a few key phr

Licensing, Franchising, and Strategic Alliances

Brenda Sternquist and Elizabeth B. Goldsmith

Source: International Retailing, 3rd Edition, 2018, Fairchild Books Library

Book chapter + STUDIO

After studying this chapter, you should be able to:

Asia and Australia

Brenda Sternquist and Elizabeth B. Goldsmith

Source: International Retailing, 3rd Edition, 2018, Fairchild Books Library

Book chapter + STUDIO

After studying this chapter, you should be able to:

Feminist Ideologies in Postmodern Japanese Fashion: Rei Kawakubo Meets Marie Antoinette in Downtown Tokyo

Ory Bartal

Source: Dress and Ideology. Fashioning Identity from Antiquity to the Present, 2017, Berg Fashion Library

Book chapter

In the 1970s, the modernistic social paradigm collapsed in many post-industrial countries. In Japan, it resulted in the falling apart of the homogeneous culture that hailed collectivism. Various groups began to form. In 1970s Tokyo, the Karasu-Zoku (raven tribe) emerged as a parallel to the British Punk movement. Alongside the karasu-zoku was the an-non-zoku, a young and fashionable “tribe” consisting of women who enjoyed reading the mass communicationmagazinesmagazines an-an and non-no. The idea

Introduction to the Digital Landscape

Wendy K. Bendoni

Source: Social Media For Fashion Marketing. Storytelling in a Digital World, 2017, Fairchild Books Library

Book chapter

The evolution of the Internet over the past two decades has paved the way for social media networks to capitalize on today’s hyper-connected world. Social media is all about capturing and sharing the in-the-moment updates, and delivering the message of “real time” (live stories). Digital innovation continues to influence the expectations of marketers, managers, and consumers alike. In the previous chapter, we explored how the digital landscape disrupted the traditional fashion industry and forged

Fashion Politics and Practice: Indian Cottons and Consumer Innovation in Tokugawa Japan and Early Modern England, C. 1600–1800

Beverly Lemire

Source: Dress and Ideology. Fashioning Identity from Antiquity to the Present, 2017, Berg Fashion Library

Book chapter

textilescottonJapansixteenth–seventeenth centuriesEnglandsixteenth–seventeenth centuriesConsumerism, consumptionThe historical characteristics of consumer behavior have been the subject of intensive study for a generation.Among the pioneer studies see: Jan De Vries “Peasant Demand and Economic Development: Friesland 1559–1700,” in William Parker and E. L. Jones eds, European Peasants and their Markets, Princeton: Princeton University Press, 1975; Economic Policy and Projects: The Development of a

Michiko Koshino

Alessandro Esculapio

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Designer Biography

Kosuke Tsumura

Alessandro Esculapio

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Designer Biography

Guiliano Fujiwara

Elizabeth Glendinning

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Designer Biography

Margaret Howell

Elizabeth Glendinning

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Designer Biography

Mitsuhiro Matsuda

Elizabeth Glendinning

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Designer Biography

Kansai Yamamoto

Elizabeth Glendinning

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Designer Biography

Lolita

Kathryn A. Hardy Bernal

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

The Lolita fashion-based subculture, once an underground Japanese movement, is a burgeoning worldwide industry. The style, represented by women who dress in childlike clothing, emerged on the streets in the 1970s, gaining impetus within the J-rock (Japanese rock) music scene of the 1990s. The visual kei band Malice Mizer formulated their look on New Romantic glam, inspired by 1980s collaborations between Vivienne Westwood and Malcolm McLaren; fans of the guitarist, Mana, began to mimic his unique

Junya Watanabe

Stephanie Edith Herold

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Designer Biography

Kenzo Takada

Stephanie Edith Herold

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Designer Biography

Lolita Lempicka

Morna Laing

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Designer Biography

Introducing Japanese Fashion, Past and Present

Masafumi Monden

Source: Japanese Fashion Cultures. Dress and gender in contemporary Japan, 2015, Berg Fashion Library

Book chapter

Culture refers to behaviour and beliefs that are learned and shared: learned so it is not ‘instinctual’ and shared so it is not individual. Sharing refers to social sharing but there is no limitation as to the boundaries of this sociality. No territorial or historical boundaries are implied as part of the definition. This Wilson, Elizabeththe ‘format’ and ‘product’ theoryunderstanding of culture is open-ended. Leaning is always ongoing as a function of changing circumstances and therefore culture

Lost in A Gaze: Young Men and Fashion in Contemporary Japan

Masafumi Monden

Source: Japanese Fashion Cultures. Dress and gender in contemporary Japan, 2015, Berg Fashion Library

Book chapter

‘Do you understand muslins, sir?’JaneAusten, Northanger Abbey (London: Penguin Books, 1996 [1818]), p. 22.

Boy’s Elegance: A Liminality of Boyish Charm and Old-World Suavity

Masafumi Monden

Source: Japanese Fashion Cultures. Dress and gender in contemporary Japan, 2015, Berg Fashion Library

Book chapter

T-shirts with voluminous scarves are now in store . . . the big scarf looks lovely!Milkboy Staff’s Blog, 2013, available at http://ameblo.jp/mb-staff/page-67.html#main [accessed 7 October 2013]. The texts are translated by Masafumi Monden.

Glacé Wonderland: Cuteness, Sexuality and Young Women

Masafumi Monden

Source: Japanese Fashion Cultures. Dress and gender in contemporary Japan, 2015, Berg Fashion Library

Book chapter

kawaii (cute) aestheticswomen andporn-chicKawase, Tomoko (Tommy)‘Bloomin’!’kawaii (cute) aestheticsinfantile kindKawaii is like love of humanity, you need a certain mental capacity, strength and experiences to appreciate the fragile.Hitomi, quoted and explained by Kenji of Milkboy during a Skype interview, 29 November 2013. I thank Kenji for sharing this important story.

Ribbons and Lace: Girls, Decorative Femininity and Androgyny

Masafumi Monden

Source: Japanese Fashion Cultures. Dress and gender in contemporary Japan, 2015, Berg Fashion Library

Book chapter

‘There’s one thing about you,’ Maudie said. ‘You always look ladylike.’JeanRhys, Voyage in the Dark (London: Penguin Books, 2000 [1934]), p. 10. ‘Oh God,’ I said, ‘who wants to look ladylike?’

An Ivy Boy and A Preppy Girl: Style Import-Export

Masafumi Monden

Source: Japanese Fashion Cultures. Dress and gender in contemporary Japan, 2015, Berg Fashion Library

Book chapter

Taking great care of appearance is the first step of every fashion.

Concluding Japanese Fashion Cultures, Change and Continuity

Masafumi Monden

Source: Japanese Fashion Cultures. Dress and gender in contemporary Japan, 2015, Berg Fashion Library

Book chapter

For both men and women, whenever sex is an issue, so also is looking and being seen. Every woman who has ever been accosted on the street knows the temporary desire to be invisible, just as every person of either sex has posed in public, hoping to be regarded as attractive by his or her peers.ValerieSteele, Fashion and Eroticism: Ideals of Feminine Beauty from the Victorian Era to the Jazz Age (New York and Oxford: Oxford University Press, 1985), p. 247.

Issey Miyake

Emily M. Orr

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Designer Biography

Valentino, Fall/Winter 1992

Rosily Roberts

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

Valentino’s fall/winter 1992 collection, designed shortly after his thirtieth anniversary in the fashion industry, draws on both the history of Western dress and clothing from China and Japan for inspiration. The dramatic silhouette of his 1980s lines has disappeared, and he is allowing for a greater exposure of the model’s body as he creates a collection out of luxurious materials that is rich with detailing. The timeless elegance that he was so well known for by the 1990s continues to appear in

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