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Katharine Hamnett

Amber Jane Butchart

Source: Fashion Photography Archive 2015

Designer Biography

Dai Rees

Alessandro Esculapio

Source: Fashion Photography Archive 2015

Designer Biography

Kosuke Tsumura

Alessandro Esculapio

Source: Fashion Photography Archive 2015

Designer Biography

Bill Blass, Spring/Summer 1984

Michelle Honig

Source: Fashion Photography Archive 2015

Article

This collection was all about simplicity, which led Nina Hyde at the Washington Post to comment, “Blass’s clothes have never been more simple, less contrived.” The hems were short because Blass believed that his couture customers had the money to keep their body in great shape. There were bra-like tops under conservative suits for day, and evening gowns in silk charmeuse draped in silk chiffon. Because of the simplicity of the clothes, the models’ hair was more extreme. Critics commended Blass’s

Helmut Lang

Elizabeth Kutesko

Source: Fashion Photography Archive 2015

Designer Biography

Wendy Dagworthy

Michelle Labrague

Source: Fashion Photography Archive 2015

Designer Biography

Ghost London

Morna Laing

Source: Fashion Photography Archive 2015

Designer Biography

Antonio Berardi

Shonagh Marshall

Source: Fashion Photography Archive 2015

Designer Biography

Hervé Léger

Emily M. Orr

Source: Fashion Photography Archive 2015

Designer Biography

Italian Fashion

Simona Segre Reinach

Source: Fashion Photography Archive 2015

Article

In the first half of the twentieth century, Italian fashion did not really exist as a proper industrial sector; models of French inspiration were created, above all in women’s fashion, while British models prevailed for menswear. Everything was made at artisanal level or little more than that. Even the autarchic phase under Fascism had no repercussions on the international perception of Italian fashion, or on the promotion of a genuine development in the clothing sector, with the important except

Paco Rabanne

Daphne Stylianou

Source: Fashion Photography Archive 2015

Designer Biography

Veronique Leroy

Tory Turk

Source: Fashion Photography Archive 2015

Designer Biography

Cividini

Tory Turk

Source: Fashion Photography Archive 2015

Designer Biography

Knitwear in Fashion from 1970

Jo Turney

Source: Fashion Photography Archive 2015

Article

Knitwear has a history almost as long as clothing and therefore is a familiar aspect of dress. Most frequently, knitted clothing is associated with women’s creative domestic practice, as it has been associated with thriftiness, philanthropy, and making do, especially during wartime, and thus seems to exist or be understood as outside of the dynamic world of fashion. Yet, most catwalk collections include some knitwear, and it is central to notions of fashion, embracing the Zeitgeist in relation to

The Utility Clothing Scheme

Geraldine Howell

Source: Wartime Fashion. From Haute Couture to Homemade, 1939–1945 2012

Book chapter

Issey Miyake

Bonnie English

Source: Japanese Fashion Designers. The Work and Influence of Issey Miyake, Yohji Yamamoto and Rei Kawakubo 2011

Book chapter

Clothes … speak many languages … and have to be seen on the outside … as well as felt on the inside.

Techno Textiles

Bonnie English

Source: Japanese Fashion Designers. The Work and Influence of Issey Miyake, Yohji Yamamoto and Rei Kawakubo 2011

Book chapter

While there are a number of monolithic factories in Japan, such as Toray, the largest textile company in the world, which are technically advanced and automated, the majority of operators are small and simple by comparison. Toray has expanded its base of synthetic fibres and textiles to include many other fields, such as plastics and chemicals, advanced composite materials, pharmaceutical and medical products, construction materials, housing, and engineering. Many of the smaller factories, includ

Tweed

Fiona Anderson

Source: Berg Encyclopedia of World Dress and Fashion. West Europe 2010

Encyclopedia entry

Tweed cloth originated in Scotland in the early nineteenth century. At that time, it was only made from woolen yarns in the twill weave. From the 1820s to the present, tweed has been characterized by a huge range of color and weave effects. The main account given for the origins of the name tweed is that it is based on a misreading of the Scottish word tweel or twill (which was the weave characteristic of Scottish woolens at that time) for tweed. By the 1840s, tweed was established as a term used

Early History of Dress and Fashion in the Nordic Countries

Eva B. Andersson, Margarita Gleba, Ulla Mannering and Marianne Vedeler

Source: Berg Encyclopedia of World Dress and Fashion. West Europe 2010

Encyclopedia entry

The Nordic countries comprise Denmark, Norway, Sweden, Aaland, Finland, Iceland, the Faroes, and Greenland. The northernmost part of Germany and the Norse community on Greenland are also considered here to be within this cultural area. Denmark has abundant Bronze and Early Iron Age finds, while Sweden, Norway, Finland, and Greenland have yielded more medieval material. From about 4200 b.c.e., textiles appear at Danish sites; Early Bronze Age graves have yielded complete garments, including women’

Dress in New Caledonia

Frédéric Angleviel

Translated by Marissa Dooris

Vikram Iyer

Source: Berg Encyclopedia of World Dress and Fashion. Australia, New Zealand, and the Pacific Islands 2010

Encyclopedia entry

New Caledonia, situated in the southwest Pacific Ocean, comprises a number of islands including the Loyalty Islands, Isle des Pins, and Isle Bélep. The warm climate and tropical vegetation have had a substantial influence on what the inhabitants have worn and do wear. In the past the indigenous people of New Caledonia, the Melanesian Kanaks, embellished their bodies in various ways. Subsequently, evangelical missionaries urged these people to hide their bodies. In the twenty-first century consume

North American Influences on West European Dress

Rebecca Arnold

Source: Berg Encyclopedia of World Dress and Fashion. West Europe 2010

Encyclopedia entry

North America’s effect on West European fashion is often viewed only in relation to Hollywood and celebrity. However, its influence has been far more diverse, from technological inventions to leisure wear and the professionalization of the industry.

Hawaiian Dress Prior to 1898

Linda Boynton Arthur

Source: Berg Encyclopedia of World Dress and Fashion. Australia, New Zealand, and the Pacific Islands 2010

Encyclopedia entry

Hawai’i is an archipelago in the Pacific Ocean, a chain referred to simply as Hawai’i or the Hawaiian Islands. The six major islands are Oahu, Kauai, Maui, Molokai, Lanai, and the Big Island, that is, Hawai’i. The latter name is rarely used, in order to reduce confusion, since Hawai’i (the archipelago) became an American state in 1959. Until the late eighteenth century the peoples who inhabited these islands shared a common culture, although they were somewhat divided politically in that each had

The Wool Industry in Australia

Prudence Black and Anne Farren

Source: Berg Encyclopedia of World Dress and Fashion. Australia, New Zealand, and the Pacific Islands 2010

Encyclopedia entry

That the wealth of Australia rode “on the sheep’s back” is a well-known expression. In particular, it has been Merino wool (a thick fine fleece suited to weaving into quality fabric) for the international and increasingly global clothing market that has been Australia’s most significant product. The Merino sheep has been selectively bred for over two hundred years and is recognized worldwide for its uniformly fine and soft fibers. While Australia is home to only a small proportion of the world’s

Dress of Vanuatu

Lissant Bolton and Jean Tarisesei

Source: Berg Encyclopedia of World Dress and Fashion. Australia, New Zealand, and the Pacific Islands 2010

Encyclopedia entry

Vanuatu is an archipelago of about eighty small islands in the southwestern Pacific. It is one of the most linguistically complex regions of the world: More than 113 languages are spoken in these islands by a population (at the start of the twenty-first century) of about 200,000. This linguistic diversity is matched by cultural diversity: Not just every island, but every district has had its own distinctive knowledge and practice, and often, its own distinctive dress styles. This diversity from p

Belgium

Karlijn Bronselaer

Source: Berg Encyclopedia of World Dress and Fashion. West Europe 2010

Encyclopedia entry

Belgium played a vital role in the industrialization of the European textile industry. Belgian society changed very quickly due to industrialization during the first half of the nineteenth century. From about the 1820s on the fashionable silhouette in West Europe was the hourglass. Although the average Belgian had neither time nor money for fashion, improved production methods and sewing machines made corsets more affordable. Later, the Art Nouveau or Jugendstil movement (ca. 1890–1920), with its

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