Results: Text (153) Images (0)

Sort by
Results per page
Results showing
1 - 25 of 153 (7 pages)
    Page 1 of 7
Capital of Luxury and Fashion

Valerie Steele

Source: Paris Fashion. A Cultural History 3rd Edition 2017

Book chapter

Je suis un grand artist, j’ai la couleur de Delacroix, et je compose. Une toilette vaut un tableau.

Superman: Codifying the Superhero Wardrobe

Barbara Brownie and Danny Graydon

Source: The Superhero Costume. Identity and disguise in fact and fiction 2016

Book chapter

Superman’s othernessotherness is firmly established in a costume that is identical from day to day. Wearing only one costume, Superman reduces his core values to a single, consistent message which is not compromised by daily adjustments to his wardrobe. This kind of “distinctive persistent dress,” finds Gregory Stone (1981, p. 144), is more commonly associated with professional responsibilities than with personal identity, and so through consistency of dress, Superman presents himself as acting i

Michael Kors

Paula Alaszkiewicz

Source: Fashion Photography Archive 2015

Designer Biography

Markus Lupfer

Paula Alaszkiewicz

Source: Fashion Photography Archive 2015

Designer Biography

Walter Van Beirendonck

Paula Alaszkiewicz

Source: Fashion Photography Archive 2015

Designer Biography

Sunglasses

Vanessa Brown

Source: Fashion Photography Archive 2015

Article

By the late 1960s, sunglasses were a well-established fashion accessory, having accumulated numerous valuable meanings within Western visual culture: speed, technology, military power, celebrity, travel, glamour, and the outsider cool of black American jazzmen, beatniks, rap artists, cinematic gangsters, and femmes fatales. Subsequently, sunglasses became increasingly significant to fashion, providing lucrative licensing opportunities as well as creative potential to nuance clothes with desirable

Nino Cerruti

Giulia Bussinello

Source: Fashion Photography Archive 2015

Designer Biography

Alberta Ferretti

Giulia Bussinello

Source: Fashion Photography Archive 2015

Designer Biography

Mulberry

Amber Jane Butchart

Source: Fashion Photography Archive 2015

Designer Biography

Luxury

Jonathan Faiers

Source: Fashion Photography Archive 2015

Article

Luxury and fashion today are increasingly uttered in the same breath, and while fashion certainly does not have to be luxurious, the term fashion adds a significance and meaning to everyday clothing that elevates it above its chief utilitarian functions of providing protection, warmth, and modesty. The combination luxury fashion, however, implies cost, exclusivity, indulgence, and excess, and is typically understood as being constructed from the finest materials, involving a high level of craftsm

The Artist as Impresario, the Artist as Brand: from Baudelaire to Barney

Adam Geczy and Jacqueline Millner

Source: Fashionable Art 2015

Book chapter

So much of the world is advertising, and because of that, individuals feel they have to present themselves as a package.

Minimalism: Donald Judd Or Ikea?

Adam Geczy and Jacqueline Millner

Source: Fashionable Art 2015

Book chapter

Minimalist artists constructed simple, monochromatic, geometric objects of formal symmetry, characterized by an absence of traditional composition. Minimalism was an extreme abstract art, not imitative but solipsistic, self-referential: it was unto itself, harking back to the idea of truth to materials whose lineage can be located in the Russian Constructivists (particularly Rodchenko, AleksandrRodchenko and El Lissitzky) through to Moore, HenryMoore, Hepworth, BarbaraHepworth, Gabo, NoamGabo, Pe

Pam Hogg

Elizabeth Glendinning

Source: Fashion Photography Archive 2015

Designer Biography

Helen Storey

Elizabeth Glendinning

Source: Fashion Photography Archive 2015

Designer Biography

Kenzo Takada

Stephanie Edith Herold

Source: Fashion Photography Archive 2015

Designer Biography

The Impact of Foreign Fashion Brands

M. Angela Jansen

Source: Moroccan Fashion. Design, tradition and modernity 2015

Book chapter

What is a fashion industry? The way Welters and Lillethun (2001: xxix) describe it, a fashion industry requires several components such as: a market economy that provides wealth; adequate technology to make apparelapparel items; a distribution system that disseminates ideas about fashion as well as the products themselves; and a system democratizationof fashionof fashion innovation and adoption. Also, they say, a fashion industry is dependent on a rapidly changing infrastructure influenced by art

Investing (in) Time: Collecting and Consuming the Past

Heike Jenss

Source: Fashioning Memory. Vintage Style and Youth Culture 2015

Book chapter

In Germany, markets for used goods, including clothes, have a long history, yet their patronage from consumers who do not rely on them out of economic necessity emerges, as in other European countries, more widely in the 1970s. Volker Fischer, VolkerFischer’s 1980 book on the “nostalgia market” in Germany provides a comprehensive overview of the development of the trade, and the shift in value of old things in the context of the 1970s, when there is surplussurplus in goods and also (compared to t

Paul Smith

Casey Mackenzie Johnson

Source: Fashion Photography Archive 2015

Designer Biography

Sonja Nuttall

Elizabeth Kutesko

Source: Fashion Photography Archive 2015

Designer Biography

Byblos

Elizabeth Kutesko

Source: Fashion Photography Archive 2015

Designer Biography

Sonia Rykiel

Morna Laing

Source: Fashion Photography Archive 2015

Designer Biography

Dries Van Noten

Sandra J. Ley

Source: Fashion Photography Archive 2015

Designer Biography

Giorgio Armani

Nanna Marie Lund

Source: Fashion Photography Archive 2015

Designer Biography

Back to top
Results showing
1 - 25 of 153 (7 pages)
Page 1 of 7