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Michael Kors

Paula Alaszkiewicz

Source: Fashion Photography Archive 2015

Designer Biography

Walter Van Beirendonck

Paula Alaszkiewicz

Source: Fashion Photography Archive 2015

Designer Biography

Nino Cerruti

Giulia Bussinello

Source: Fashion Photography Archive 2015

Designer Biography

Alberta Ferretti

Giulia Bussinello

Source: Fashion Photography Archive 2015

Designer Biography

Minimalism: Donald Judd Or Ikea?

Adam Geczy and Jacqueline Millner

Source: Fashionable Art 2015

Book chapter

Minimalist artists constructed simple, monochromatic, geometric objects of formal symmetry, characterized by an absence of traditional composition. Minimalism was an extreme abstract art, not imitative but solipsistic, self-referential: it was unto itself, harking back to the idea of truth to materials whose lineage can be located in the Russian Constructivists (particularly Rodchenko, AleksandrRodchenko and El Lissitzky) through to Moore, HenryMoore, Hepworth, BarbaraHepworth, Gabo, NoamGabo, Pe

Pam Hogg

Elizabeth Glendinning

Source: Fashion Photography Archive 2015

Designer Biography

Helen Storey

Elizabeth Glendinning

Source: Fashion Photography Archive 2015

Designer Biography

Kenzo Takada

Stephanie Edith Herold

Source: Fashion Photography Archive 2015

Designer Biography

Investing (in) Time: Collecting and Consuming the Past

Heike Jenss

Source: Fashioning Memory. Vintage Style and Youth Culture 2015

Book chapter

In Germany, markets for used goods, including clothes, have a long history, yet their patronage from consumers who do not rely on them out of economic necessity emerges, as in other European countries, more widely in the 1970s. Volker Fischer, VolkerFischer’s 1980 book on the “nostalgia market” in Germany provides a comprehensive overview of the development of the trade, and the shift in value of old things in the context of the 1970s, when there is surplussurplus in goods and also (compared to t

Paul Smith

Casey Mackenzie Johnson

Source: Fashion Photography Archive 2015

Designer Biography

Sonia Rykiel

Morna Laing

Source: Fashion Photography Archive 2015

Designer Biography

Dries Van Noten

Sandra J. Ley

Source: Fashion Photography Archive 2015

Designer Biography

Mark Eisen

Emily M. Orr

Source: Fashion Photography Archive 2015

Designer Biography

Book chapter

It is widely acknowledged that fashion is modern. If one adopts David Frisby’s definition of modernité as ‘the more general experience of the aestheticization of everyday life, as exemplified in the transitory qualities of an urban culture shaped by the imperatives of fashion, consumerism, and constant innovation,’ fashion is proto-typically modern. (Stewart 2008: xii)

Paris

Alexis Romano

Source: Fashion Photography Archive 2015

Article

Paris was a fashion city from the mid-nineteenth century, when the French fashion system began to function outside of medieval guilds, corporations, and the royal courts. The article first discusses the establishment of haute couture, and explores trade syndicates, the Sentier garment district, department stores, and expositions. A second section focuses on the twentieth century and the couturiers and designers who worked in Paris, and also questions the construction of Paris in the fashion media

Alexander McQueen

Aimee Scott

Source: Fashion Photography Archive 2015

Designer Biography

Max Azria

Vanessa Semmens

Source: Fashion Photography Archive 2015

Designer Biography

Sedimenting The Youth Market

Paul Jobling

Source: Advertising Menswear. Masculinity and Fashion in the British Media since 1945 2014

Book chapter

Hijab on the Shop Floor: Muslims in Fashion Retail in Britain

Reina Lewis

Source: Islamic Fashion and Anti-Fashion. New Perspectives from Europe and North America 2013

Book chapter

UK employment law has shifted in recent years from equal opportunities legislation which outlawed discrimination on the grounds of race and ethnicity to new policies concerned more broadly with diversity. In 2003, the UK Employment Equality (Religion or Belief) Regulations brought the United Kingdom in line with the European Employment Equality Directive of 2000, extending legal protection to cover discrimination ‘on the grounds of perceived as well as actual religion or belief’.

Fashion Films, Blogs and E-Commerce: The Puzzle of Fashion Distinction in China

Simona Segre reinach

Source: Fashion Media. Past and Present 2013

Book chapter

There once was a European who wanted a new suit. Since there were no European tailors in China, he called in a Chinese tailor and asked him if he was able to copy and sew a European suit. The tailor said he could make it up, if he provided him with a model. The European found an old, worn-out suit and gave it to him. After a few days the tailor brought the new suit. The European examined it and found it perfect. The only thing was that on the shoulders of the suit the tailor had made a hole, and

Rei Kawakubo and Comme des Garçons

Bonnie English

Source: Japanese Fashion Designers. The Work and Influence of Issey Miyake, Yohji Yamamoto and Rei Kawakubo 2011

Book chapter

Vera Mackie (2003: 144)… women [in Japan] were condemned to be ‘mothers’ or ‘whores’.

Garments, International Trade in

Teri Agins

Source: The Berg Companion to Fashion 2010

Encyclopedia entry

North American Influences on West European Dress

Rebecca Arnold

Source: Berg Encyclopedia of World Dress and Fashion. West Europe 2010

Encyclopedia entry

North America’s effect on West European fashion is often viewed only in relation to Hollywood and celebrity. However, its influence has been far more diverse, from technological inventions to leisure wear and the professionalization of the industry.

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