Results: Text (35) Images (0)

Sort by
Results per page
Results showing
1 - 25 of 35 (2 pages)
    Page 1 of 2
At the Shoot

Shannon Burns-Tran and Jenny B. Davis

Source: Style Wise. A Practical Guide to Becoming a Fashion Stylist, 2nd Edition, 2018, Fairchild Books Library

Book chapter + STUDIO

In this chapter you will learn:

Fashion Styling, Photography, and Costume Design

Michele M. Granger

Source: The Fashion Industry and Its Careers: An Introduction, 3rd Edition, 2015, Fairchild Books Library

Book chapter

A retailer, manufacturer, designer, or organization may contract an independent firm, the fashion show and event planning company, to do all or part of this work for a fee. In general, the fashion show and event producer manages fashion shows and special events for its clients. The company works with each client to determine the type of event, intended purpose, designated audience, and the budget. The company may be contracted to handle part or all of the advertising and public relations, which c

Photography in Fashion Advertising since 1970

Paul Jobling

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

Photography began to make inroads into advertising—including fashion publicity—by the start of the twentieth century following the evolution of the halftone process in the 1880s. By the 1930s the shift toward photographic methods became more pronounced in advertising, though in fashion publicity line illustrations remained the preferred medium. These could be reproduced more easily (especially when it came to color) but also, given that the visual quality of halftones on newsprint could be somewh

Helena Christensen

Laura Peach

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

As one of the main supermodels in the 1990s, Helena Christensen was frequently photographed for fashion magazines. Born to a Peruvian mother and Danish father, Christensen was raised in Denmark. Her modeling career began when she was a contestant in the Miss Universe beauty pageant in 1986. Shortly after, her modeling career took off in Paris. Although she frequently modeled highly stylized and ostentatious looks, Christensen’s personal style was one of bohemian chic, and off the runway she was s

Appraised, Displayed, and Concealed: Fashion Photography on The Swedish Museum Stage

Anna Dahlgren

Source: Fashion and Museums. Theory and Practice, 2014, Berg Fashion Library

Book chapter

Röhsska Museet, founded in 1916, is dedicated to fashion, design, and craft. It currently holds a collection of 50,000 artifacts; dresses and accessories and other artifacts from the fashion system, but the collection contains only a handful of fashion photographs.When this text was written in 2011 Röhsska had not a single fashion photograph in the collection, www.designmuseum.se and telephone interview with Anna Billing-Wetterlundh, curator, Röhsska Museet, April 26, 2011. Since then the museum

Coloring Agents

Edith Anderson Feisner and Ronald Reed

Source: Color Studies, 3rd Edition, 2014, Fairchild Books Library

Book chapter

After reading this chapter, you will be able to:

Digital Color Media and Technology

Edith Anderson Feisner and Ronald Reed

Source: Color Studies, 3rd Edition, 2014, Fairchild Books Library

Book chapter

After reading this chapter, you will be able to:

Putting Color to Use-Past, Present, and Future

Edith Anderson Feisner and Ronald Reed

Source: Color Studies, 3rd Edition, 2014, Fairchild Books Library

Book chapter

After reading this chapter, you will:

Current Issues in The Fashion Media: Industry Roundtable

Djurdja Bartlett, Shaun Cole and Agnès Rocamora (eds)

Source: Fashion Media. Past and Present, 2013, Berg Fashion Library

Book chapter

Laura Bradley, former fashion features editor at SHOWstudio, editor of i-D online (at the time of the conference), and now editor of Another.com and commissioning editor of Another Magazine

Light Temperature

Chris Dorosz and J.R. Watson

Source: Designing with Color. Concepts and Applications, 2011, Fairchild Books Library

Book chapter

Try on sunglasses. Try lenses with different tints—warms like oranges, browns, and pinks, and cools like blues and greens.

Three-Dimensional Illusion

Chris Dorosz and J.R. Watson

Source: Designing with Color. Concepts and Applications, 2011, Fairchild Books Library

Book chapter

There are five basic ways to create the illusion of three-dimensional space in a two-dimensional design. These are meant to convincingly portray our perceptions of space in the physical world.

Emphasis

Chris Dorosz and J.R. Watson

Source: Designing with Color. Concepts and Applications, 2011, Fairchild Books Library

Book chapter

Here are some common examples of contrast (see chart on facing page):

Non—Focal Point Design

Chris Dorosz and J.R. Watson

Source: Designing with Color. Concepts and Applications, 2011, Fairchild Books Library

Book chapter

There are four basic ways to create a design without a focal point:

Preparing for a photoshoot

Jacqueline McAssey and Clare Buckley

Source: Basics Fashion Design 08: Styling, 2011, Fairchild Books Library

Book chapter

In order to embark on a career in fashion styling you will need to build a body of work that you can show to prospective employers or clients. If you are not assisting a professional stylist then producing work by means of a ‘test’ is the best way to try out your ideas. This method allows you to produce images on a minimal budget by working with photographers, hair and make-up artists and models for free. In addition to developing your portfolio this helps you build confidence and develop a more

The photoshoot in production

Jacqueline McAssey and Clare Buckley

Source: Basics Fashion Design 08: Styling, 2011, Fairchild Books Library

Book chapter

All fashion shoots will need forward planning to ensure the day runs as smoothly as possible. Who takes the role is up to the team to discuss but production planning can often be split between the photographer and stylist, or another person can be brought on board should the job become too big. Consider the following production issues:

French Fashion Photography, 1950 Onward

Muriel Berthou Crestey

Source: Berg Encyclopedia of World Dress and Fashion. West Europe, 2010, Berg Fashion Library

Encyclopedia entry

From the 1950s, technical developments reduced the weight of photographic equipment and so contributed to the metamorphosis of fashion photography. The use of the Rolleiflex, flashes that allowed artificial light, and the development of new printing methods played a key role internationally and also in the emergence of a “French school.” The styles of the Groupe des XV photographers such as Philippe Pottier, Robert Doisneau, and the Séeberger brothers, or Italians such as Edigio Scaïoni or Frank

Avedon, Richard

William Ewing

Source: The Berg Companion to Fashion, 2010, Berg Fashion Library

Encyclopedia entry

Photographic and Other Visual Sources

Christraud M. Geary

Source: Berg Encyclopedia of World Dress and Fashion. Africa, 2010, Berg Fashion Library

Encyclopedia entry

Dress in Africa has attracted the attention of foreign observers since the earliest encounters with peoples on the continent. Whether they deemed it exotic, curious, ugly, beautiful, or comical, writers of all backgrounds often mentioned and depicted dress in their publications. From the seventeenth century onward, descriptions of Africa were published with engravings, woodcuts, and, later, lithographs, among other types of illustrations, that helped readers to envision faraway worlds and peoples

Fashion and Art

Adam Geczy

Source: Berg Encyclopedia of World Dress and Fashion. Global Perspectives, 2010, Berg Fashion Library

Encyclopedia entry

The connection between fashion and art has a complex and surprising evolution. In the first instance it is bound up with the birth of the fashion system itself, but more recent developments in the early twenty-first century in both art and fashion have rendered the once discernible boundaries far less distinct. The increase of global markets and corporate interests in public galleries and museums, and the manner in which the success of exhibitions is measured according to visitor numbers, not to

Hollywood Style

Pamela Church Gibson

Source: The Berg Companion to Fashion, 2010, Berg Fashion Library

Encyclopedia entry

Hollywood studios were beginning to appreciate their power. The studio system, which lasted until the 1950s, meant that stars and costume designers were under contract to a particular studio, which could profit from their work. The studios owned distribution rights in cinemas across America, and it was easy to export Hollywood films, first to Europe and later worldwide, despite the existence of national cinemas elsewhere. In the early 2000s, despite the vast size of the Hindi film industry, Ameri

Fashion Photography in Australia

Daniel Palmer and Kate Rhodes

Source: Berg Encyclopedia of World Dress and Fashion. Australia, New Zealand, and the Pacific Islands, 2010, Berg Fashion Library

Encyclopedia entry

Australian fashion photography has a relatively short history, starting with the earliest examples of fashion advertisements from the beginning of the twentieth century through to the popularization of the genre in Australia via the work of modernist photographers such as Max Dupain and the postwar heyday of Helmut Newton and others. An exploration of the strong voice of independent publishers who have helped to market Australian fashion and style is noted and includes the internationally recogni

Valerie Steele and Niall McInerney, 26th June 2013, Fashion Photography Archive

Valerie Steele and Niall McInerney, 26th June 2013, Fashion Photography Archive

Valerie Steele and Niall McInerney, 26th June 2013, Fashion Photography Archive

Valerie Steele, 26th June 2013, Fashion Photography Archive

Back to top
Results showing
1 - 25 of 35 (2 pages)
Page 1 of 2