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Fabrication

Sandra Keiser, Deborah Vandermar and Myrna B. Garner

Source: Beyond Design. The Synergy of Apparel Product Development, 4th Edition, 2017, Fairchild Books Library

Book chapter + STUDIO

“Every time that I wanted to give up, if I saw an interesting textile, print, whatever, suddenly I would see a collection.”

Rifat Özbek, Spring/Summer 1991

Lucy Adjoa Armah

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

Rifat Özbek’s spring/summer collection of 1991 exemplifies his ability to successfully commoditize the very essence of ethnicity without alienating the young, creative, Western urbanites who were his collaborators and would eventually become his customers. This situates him as an early agent in the emergence of a cosmopolitan aesthetic in fashion. As today’s industry becomes increasingly provincialized and the big four fashion capitals have to cede some of their influence to satellite sites, Özbe

Shape/Volume

Lucy Adjoa Armah

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

To fully understand the significance of “volume” in fashion, it is necessary to discuss everything from the exaggerated shoulders in the trend for tailored power dressing in the 1980s to the unconventional draping and pleating of Issey Miyake. The prism of volume enables the unpacking of aesthetic traditions in dress and fashion that appear to have little in common. When designers utilize volume, they are often presenting a fantasy from a distant land or a reimagined time. When individuals choose

Stage 7: Production

Karl Aspelund

Source: The Design Process, 3rd Edition, 2015, Fairchild Books Library

Book chapter

Congratulations! You have created your designs from a solid concept and presented them to all concerned with great results. Now is when some would say the work begins in earnest. It may certainly feel as if you are done, and you are partially justified in feeling so, since you have completed the crucial stage of getting the idea into the world. Your responsibilities are fulfilled. The production team takes over from here and sees your designs through to the end. But don’t think you can pack every

Minimalism

Lorynn Divita

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

Since the early twentieth century, the fashion pendulum returns periodically to minimalism, with its focus on simple lines, geometric shapes, architectural tailoring, and high-quality fabrics. Early renowned minimalist designers include Madeline Vionnet, who in the 1910s was known as the “architect among designers,” and the style reached widespread popularity with Coco Chanel’s Little Black Dress in the 1920s. American designers such as Claire McCardell incorporated minimalistic principles in gar

The Art of Creating Dress

Joanne B. Eicher and Sandra Lee Evenson

Source: The Visible Self. Global Perspectives on Dress, Culture, and Society, 4th Edition, 2015, Fairchild Books Library

Book chapter

At the conclusion of this chapter, you will be able to:

Come Fly With Me: Participatory Art, Interactivity And Audience Involvement

Adam Geczy and Jacqueline Millner

Source: Fashionable Art, 2015, Berg Fashion Library

Book chapter

interactivityinteractivityparticipatory artaudience involvementrelational aestheticsRelational Aesthetics is also when a successful artist, um, who is too busy touring the globe going from biennial to biennial, and they have no time to make physical art objects any more, so the famous artist uses the attendees at the exhibition as the artwork in some way, you know what I’m saying, like to explore the social relationships between people and y’know this kind of practice is really good when you’re a

Video Art And Videophilia

Adam Geczy and Jacqueline Millner

Source: Fashionable Art, 2015, Berg Fashion Library

Book chapter

From the beginning, video art was understood as anti-establishment. It can lay claim to a unique origin: unlike other visual arts media, it was forged in the crucible of contemporary, rather than modern, classical or ancient, art. It had no tradition so was not beholden to it. It had no canon so could start from scratch in response to its immediate circumstances. It had no critical discourse so was not accountable to it. It promised to democratize the production of images. Video art emerged at th

Minimalism: Donald Judd Or Ikea?

Adam Geczy and Jacqueline Millner

Source: Fashionable Art, 2015, Berg Fashion Library

Book chapter

Minimalist artists constructed simple, monochromatic, geometric objects of formal symmetry, characterized by an absence of traditional composition. Minimalism was an extreme abstract art, not imitative but solipsistic, self-referential: it was unto itself, harking back to the idea of truth to materials whose lineage can be located in the Russian Constructivists (particularly Rodchenko, AleksandrRodchenko and El Lissitzky) through to Moore, HenryMoore, Hepworth, BarbaraHepworth, Gabo, NoamGabo, Pe

Beauty, Spa, and Wellness

Michele M. Granger

Source: The Fashion Industry and Its Careers: An Introduction, 3rd Edition, 2015, Fairchild Books Library

Book chapter

Sephora was founded in 1970 in France by Dominique Mandonnaud, who, in 1993, fashioned the store’s unique name by blending the Biblical name of Zipporah (Moses’ exceptionally beautiful wife) with the ancient Greek term for “pretty,” sephos. Today, Sephora is the leading chain of perfume and cosmetics stores in France and a powerful beauty retailer around the world. Sephora operates approximately 1,300 stores in 27 countries worldwide, with an expanding base of more than 300 stores across North Am

Guide to Fabric Selection

Ingrid Johnson, Allen C. Cohen and Ajoy K. Sarkar

Source: J.J. Pizzuto’s Fabric Science, 11th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

In the previous chapters, each component link in the textile chain (fibers, yarns, fabric constructions, dyeing, printing, and quality assurance) was discussed and explored separately. Each chapter dealt with the way these components may affect the appearance and performance properties of the final finished textile fabric. When these various components come together as a finalized textile, however, each component tends to affect the others, usually reinforcing each, but sometimes with an adverse

A Stylish History of Jazz: 1900–1960

Alphonso D. McClendon

Source: Fashion and Jazz. Dress, identity and subcultural improvisation, 2015, Berg Fashion Library

Book chapter

jazzorigins ofNew Orleansslave performancesBechet, Sidneyon slave performances/New Orleansartinfluence of AfricanAfrican ritualsAfrican art/dressDecades before the Civil War, a gathering of inspired people seeking self-determination initiated the birth of a musical genre that flourished throughout America. Congo SquareCongo Square in New Orleans, Louisiana is the highly renowned ground where slaves gathered for spiritual communion on free Sunday. By 1800, these assemblies swelled to six hundred i

Aesthetics of The Jazz Dandy

Alphonso D. McClendon

Source: Fashion and Jazz. Dress, identity and subcultural improvisation, 2015, Berg Fashion Library

Book chapter

Adding to his narrative, Michel Fontanes, a former executive, author and jazz musician, articulated the French impression of African American male instrumentalists that expatriated to the country. “They were considered in France as Gods. All black musicians not the white musicians.” Regarding his trip to Paris in 1949, Miles Davis offered consensus. “It was the freedom of being in France and being treated like a human being, like someone important. Even the band and the music we played sounded be

Fashion and Surrealism

Victoria Rose Pass

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

Surrealism, as an artistic movement, emerged in Paris in 1924 with the publication of the Surrealist Manifesto by the writer André Breton (1896–1966), but artists and writers had exhibited this sensibility long before. The notion of the uncanny is at the heart of surrealism. At its most basic, the aesthetic of the uncanny celebrates the beauty of combining images which are irreconcilable: the real and the imagined, the live and the dead, the organic and the inorganic. The uncanny is also at the c

Hanae Mori, Fall/Winter 1985

Nadya Wang

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

Hanae Mori (born 1926) is a Japanese designer who was the first Asian woman to become a member of the Chambre Syndicale de la Haute Couture in Paris in 1977, following the opening of her haute couture atelier in the city in the same year. Before establishing herself in Paris, she built a successful career as a fashion and costume designer in Japan. Her fall/winter 1985 haute couture collection is typical of her expansive oeuvre, which combines precise Parisian tailoring with a Japanese aesthetic.

Red

Jane Webb

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

Wearing red is always meaningful but can be contradictory—it can stand for being good or bad, symbolize opposite ends of opinion in the political spectrum, take you home, or drive you to madness. That red is one of the oldest significant colors, yet remains dynamic and contemporary, is the greatest contradiction of all. In this article we consider whether despite its perpetual appearances on the catwalk in various guises, as singular and collective, abstract, decadent, primal, nostalgic, and spor

Integrating Quality into the Development of Apparel Products Lab

Janace E. Bubonia

Source: Apparel Quality Lab Manual, 2014, Fairchild Books Library

Book chapter

In Chapter 2 of Apparel Quality: A Guide to Evaluating Sewn Products, the process used for designing and developing an apparel line is presented in the logical order in which it occurs in the fashion industry. An overview of the design elements and principles was presented along with discussion of how they are used to create aesthetically pleasing salable products consumers want to buy. Color management and method

Fashion and Its Discontents: The Aesthetics of Covering in the Netherlands

Annelies Moors

Source: Islamic Fashion and Anti-Fashion. New Perspectives from Europe and North America, 2013, Berg Fashion Library

Book chapter

A convenient starting point to discuss the fashion-Islam nexus is the eight-page article ‘Hip with the Headscarf’. Appearing in 1999 in the weekend magazine of an upscale Dutch daily, Volkskrant Magazine, this article started with the observation that ‘more and more women with headscarves wear fashionable styles of dress and lots of make-up’ (Jungschleger and Riemersma 1999). Next to portraying a number of young women wearing such fashionable styles, it also presented the points of view of ‘expe

Context

Pat Parish

Source: Pattern Cutting: The Architecture of Fashion. Required Reading Range Module Reader, 2013, Fairchild Books Library

Book chapter

A pattern can be described as a two-dimensional representation of a three-dimensional object.

Landscapes of Attraction and Rejection: South Asian Aestheticsin Islamic Fashion in London

Emma Tarlo

Source: Islamic Fashion and Anti-Fashion. New Perspectives from Europe and North America, 2013, Berg Fashion Library

Book chapter

The most obvious feature of dress is its proximity to the body and the intimacy of our relationship to it. Whilst sociologists of the wardrobe rightly remind us that some clothing remains forever unworn or may be kept only for special occasions, it is nonetheless true that it is through being worn that dress springs into life and attains its primary purpose. This intimate relationship between our bodies and our clothes is not, however, without potential conflict. Bodies animate clothes, but they

Designer: a Job Description

Evelyn L. Brannon

Source: Designer’s Guide to Fashion Apparel, 2011, Fairchild Books Library

Book chapter

“To me, the balance of art and commerce is the most important thing to keep in mind. As much as we like to think fashion is a high art form, we have to sell something to continue to create.”

Working a Creative Problem

Evelyn L. Brannon

Source: Designer’s Guide to Fashion Apparel, 2011, Fairchild Books Library

Book chapter

“Creativity is the power to connect the seemingly unconnected.”

The Design Process: Structural Design

Evelyn L. Brannon

Source: Designer’s Guide to Fashion Apparel, 2011, Fairchild Books Library

Book chapter

“The couturier should be a geometrician, for the human body makes geometrical figures to which the materials should correspond.”

The Design Process and Specialty Apparel

Evelyn L. Brannon

Source: Designer’s Guide to Fashion Apparel, 2011, Fairchild Books Library

Book chapter

“The consumer wants to see value, a perceived need, and/or an emotional connection to the product. In response to this we have added value by incorporating fabric innovation and sharpening our design focus.”

The Nazi Aesthetic in Fashion

Laura Klosterman Kidd

Source: Berg Encyclopedia of World Dress and Fashion. The United States and Canada, 2010, Berg Fashion Library

Encyclopedia entry

Adolf Hitler and the Nazi regime influence many aspects of popular culture, including fashion. The Nazi aesthetic is an artistic and ideological style created by Adolph Hitler, which characterizes the idealization of the male human form, violence, the heroic ideal, and Aryan mythology. This style was critical in the design of the Nazi machine, especially architectural and transportation design, the visual arts, politics, and the propaganda of the Third Reich. Less well documented has been the use

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