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Exoticism At The Brink: Contemporary Chinese And Aboriginal Art

Adam Geczy and Jacqueline Millner

Source: Fashionable Art, 2015, Berg Fashion Library

Book chapter

For a better understanding of this conundrum, it is useful to digress briefly using another analogy from the fashion industry proper. At the same time as Aboriginal art was ‘born’ in the 1970s, Parisian couture began to experience an extraordinary change with the entry of new designers: Takada, KenzoKenzo, Rei Kawakubo, ReiKawakubo (Comme des Garçons), Issey Miyake, IsseyMiyake, Yamomoto, YohjiYohji Yamamoto and Hanae Mori, HanaeMori are the most successful of these, now hailed as bringing about

Inside-Out: Outsider Artists Go Inside

Adam Geczy and Jacqueline Millner

Source: Fashionable Art, 2015, Berg Fashion Library

Book chapter

The term ‘Outsider Art’ was coined in 1972 (a year after the ‘birth’ of Contemporary Aboriginal, Aboriginal artAboriginal art) by the English art critic Roger Cardinal, RogerCardinal as an umbrella term to describe the art produced by those not associated with, admitted to or educated by the art scene, denoting usually the insane, but also the parochial ingenue. ‘Outsider Art’ also incorporates the ‘Art BrutArt Brut’ of French postwar artist Jean Dubuffet, JeanDubuffet, and folk art as part of it

Australia and New Zealand

Lanie Denslow

Source: World Wise. What to Know Before You Go, 2006, Fairchild Books Library

Book chapter

I Wish I’d Known

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