Results: Text (182) Images (0)

Filtered by:

Clear filters
Sort by
Results per page
Results showing
1 - 25 of 182 (8 pages)
    Page 1 of 8
Retailing in Multinational Markets

Brenda Sternquist and Elizabeth B. Goldsmith

Source: International Retailing, 3rd Edition, 2018, Fairchild Books Library

Book chapter + STUDIO

After studying this chapter, you should be able to:

The Middle East and Africa

Brenda Sternquist and Elizabeth B. Goldsmith

Source: International Retailing, 3rd Edition, 2018, Fairchild Books Library

Book chapter + STUDIO

After reading this chapter, you should be able to:

The Global Footwear Trade

Fiona Armstrong-Gibbs and Tamsin McLaren

Source: Marketing Fashion Footwear. The Business of Shoes, 2017, Fairchild Books Library

Book chapter

Over the past twenty years, the developed world has rapidly increased its consumption of footwear. In order to fulfill Western appetites for more fashion at a cheaper price, this demand led to sourcing further afield to countries in the developing world. Footwear is not a straightforward product to make; it is labor intensive, and where there are large pools of willing workers, its production will thrive. Today’s sourcing strategies coupled with the rapid growth of consumerism through the retail

Theoretical Perspective of Global Sourcing

Jung E. Ha-Brookshire

Source: Global Sourcing in the Textile and Apparel Industry, 2nd Edition, 2017, Fairchild Books Library

Book chapter

The five key theories are discussed to explain international trade: (1) the law of supply and demand in international trade, (2) comparative advantage theory, (3) competitive advantage theory of nations, (4) fragmentation theory, and (5) industry life cycle theory.

Imperial Sociocultural Systems and Dress

Joanne B. Eicher and Sandra Lee Evenson

Source: The Visible Self. Global Perspectives on Dress, Culture, and Society, 4th Edition, 2015, Fairchild Books Library

Book chapter

At the conclusion of this chapter, you will be able to:

Ideals for Individual Appearance and the Art of Dress

Joanne B. Eicher and Sandra Lee Evenson

Source: The Visible Self. Global Perspectives on Dress, Culture, and Society, 4th Edition, 2015, Fairchild Books Library

Book chapter

At the conclusion of this chapter, you will be able to:

Dress and the Arts

Joanne B. Eicher and Sandra Lee Evenson

Source: The Visible Self. Global Perspectives on Dress, Culture, and Society, 4th Edition, 2015, Fairchild Books Library

Book chapter

At the conclusion of this chapter, you will be able to:

Three Generations of Moroccan Fashion Designers

M. Angela Jansen

Source: Moroccan Fashion. Design, tradition and modernity, 2015, Berg Fashion Library

Book chapter

The first generation of Moroccan fashion designers consisted of women of the Moroccan élite with no formal training in fashion design. They merely had the advantage of growing up with the luxuryluxury of high-quality craftsmanshipcraftsmanship and learned to sow and embroider at a young age, since this was considered an important part of their privileged educationeducation.Personal communication Tamy Tazi (fashion designer), July 9, 2004. They were ‘products’ of the nationalist movement in that t

Moroccan Lifestyle Media

M. Angela Jansen

Source: Moroccan Fashion. Design, tradition and modernity, 2015, Berg Fashion Library

Book chapter

As was discussed in Chapter 2, the Moroccan nationalist movementnationalist movement brought, among other things, tremendous changes in the lives, consciousness and ambitionambitions of Moroccan women by the middle of the twentieth century. More women were enjoying an educationeducation and soon they discovered the impact the written word could have on their cause. Therefore a first generation of Moroccan women’s magazines introduced in the 1960s were all run by renowned feminists and had a stron

The Impact of Foreign Fashion Brands

M. Angela Jansen

Source: Moroccan Fashion. Design, tradition and modernity, 2015, Berg Fashion Library

Book chapter

What is a fashion industry? The way Welters and Lillethun (2001: xxix) describe it, a fashion industry requires several components such as: a market economy that provides wealth; adequate technology to make apparelapparel items; a distribution system that disseminates ideas about fashion as well as the products themselves; and a system democratizationof fashionof fashion innovation and adoption. Also, they say, a fashion industry is dependent on a rapidly changing infrastructure influenced by art

The Consumption of Moroccan Fashion

M. Angela Jansen

Source: Moroccan Fashion. Design, tradition and modernity, 2015, Berg Fashion Library

Book chapter

Dress is more than the clothes we put on our bodies. As Ruth Barnes and Joanne Eicher (1992: 15) formulate it, it is everything that a person does to or puts on one’s own body, including perfume, make-up, tattoos, hair extensions, etc. as well as the phenomena of anorexia, bulimia, plastic surgery, etc. ‘Dress is the sum of bodybody bodymodificationsmodifications and/or supplements displayed by a person in communicating with the other’ (1992: 15). For example, a Moroccan woman can wear a modest j

Conclusion

M. Angela Jansen

Source: Moroccan Fashion. Design, tradition and modernity, 2015, Berg Fashion Library

Book chapter

The main aim of this research has been to analyse Moroccan fashion as a materialization of social, cultural, political, economic and religious developments in Moroccan society, because until now Moroccan fashion has been predominantly studied as physical objects in which the materials and construction of the garments have been given primacy over their social and cultural meanings. Simultaneously, this research has aimed to contest prevailing misconceptions concerning traditional dress as being st

Introduction

M. Angela Jansen

Source: Moroccan Fashion. Design, tradition and modernity, 2015, Berg Fashion Library

Book chapter

It is only in the past fifteen years that ‘fashion of traditional dress’ gained the attention of social scientists, simply because it was considered a contradictio in terminis. It was probably John Flügel (1950 [1930]: 129–30) who set the trend in the 1930s by introducing his dichotomy ‘fixed’ versus ‘modish’ costume, whereby ‘fixed costume changes slowly in time, and its whole value depends, to some extent, upon its permanence’. Modish costume, on the other hand, he explains, ‘changes very rapid

Moroccan Fashion as Tradition

M. Angela Jansen

Source: Moroccan Fashion. Design, tradition and modernity, 2015, Berg Fashion Library

Book chapter

Throughout the twentieth and twenty-first centuries, there have been a number of political events that have had an important impact on the development of Moroccan fashion. Under the French FrenchProtectorateProtectorate, for example, it was decided to separate the new European city centres from the indigenousindigenous Arab city centres. This resulted in a cultural buffer against French cultural influences, allowing the continuity of a Moroccan lifestylelifestyle. Over time, this led to two more

African Influences in European Fashion Design

Elizabeth Kutesko

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

Since the late nineteenth century, European fashion design has been lured by the exotic “otherness” of Africa as a source of creative inspiration and exotic raw materials, such as ivory and tropical woods, for use in luxury consumer goods. The more recent stylistic appropriation, since the 1970s, of African motifs, patterns, and color combinations has became increasingly prominent in European fashion and needs to be understood as part of the industry’s continual cross-cultural pursuit of innovati

Chloé

Morna Laing

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Designer Biography

The Empress’s Old Clothes: Biographies of African Dress at the Victoria And Albert Museum

Nicola Stylianou

Source: Dress History. New Directions in Theory and Practice, 2015, Berg Fashion Library

Book chapter

On 20 April 1869 the V&A accessioned a number of objects from Ethiopia including clothes and jewellery that were listed in the museum register as having been given to the museum by the ‘Secretary of State for India’ and ‘belonging formerly to the Queen of Abyssinia’ (V&A 1869). At this time the V&A had not yet been divided into departments with objects being accepted for inclusion in the museum on the grounds of design excellence or as demonstrations of particular techniques. Included in this gif

The Ancient Middle East c. 3500 – 600 BCE

Phyllis G. Tortora and Sara B. Marcketti

Source: Survey of Historic Costume, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

One of the most outstanding aspects of Egyptian civilization is the relative slowness with which changes occurred. It is not that there were no significant changes in the 3,000 years during which this civilization existed, but they took place so gradually that they seemed almost imperceptible, even over several hundred years. For almost 3,000 years, Egyptian civilization was scarcely affected by foreign cultural and political influences. According to historian Fairservis (1962), “Between the Egy

The Ancient Middle East, c. 3500–600 BCE

Phyllis G. Tortora and Sara B. Marcketti

Source: Survey of Historic Costume. Student Study Guide, 6th Edition, 2015, Fairchild Books Library

Book chapter

After studying this chapter, you will be able to:

Yoruba in Nigeria and Diaspora

Rowland Abiodun

Source: Berg Encyclopedia of World Dress and Fashion. Africa, 2010, Berg Fashion Library

Encyclopedia entry

The Yoruba people number well over thirty million from about sixteen ancient kingdoms. They spread all over southwestern Nigeria and extend well into the neighboring countries of Benin and Togo. The Yoruba have been urbanized since the first millennium c.e. and are well known for their fine artistic achievements, especially the naturalistic life-size bronze heads and terra-cotta sculptures of Ile-Ife. In addition to being among the most accomplished carvers in wood and ivory in Africa, the Yoruba

Benin

Joseph C.E. Adande

Source: Berg Encyclopedia of World Dress and Fashion. Africa, 2010, Berg Fashion Library

Encyclopedia entry

The Republic of Benin is bounded in the south by the Atlantic Ocean, in the north by Niger and Burkina Faso, in the east by Nigeria, and in the west by Togo. Thus, it naturally shares both history and culture with the peoples of these neighboring countries. In Benin, clothing, regardless of definition, is as complex and varied as its numerous linguistic groups. In the Benin Republic, Vodun adepts and masquerade performers dress primarily to please their gods and offer them the appropriate manifes

Togo

Agbenyega Adedze

Source: Berg Encyclopedia of World Dress and Fashion. Africa, 2010, Berg Fashion Library

Encyclopedia entry

Although dress in Togo is similar to that of its neighbors in West Africa, it has distinctive features that make it unique in the region. It is quite common for citizens of neighboring countries like Benin, Burkina Faso, and Ghana to identify a Togolese national by his or her clothes even though similar styles of dress might be present in these countries. Like most regions of the world, environment affects clothing choices, especially evident in practices distinguishing the north and the south of

Colonialism to Independence

Heather Marie Akou

Source: Berg Encyclopedia of World Dress and Fashion. Africa, 2010, Berg Fashion Library

Encyclopedia entry

A colony, also referred to as an overseas possession (a term used by imperial powers in the nineteenth century) or non-self-governing territory (a term used by the United Nations), is essentially a region governed by an external authority. From 1874 to 1957, for example, the present-day nation of Ghana was known as the Gold Coast, a colony ruled by the British Empire. On the African continent, colonies were established through settlement, commercial enterprises, treaties, or sometimes invasion. T

Somalia

Heather Marie Akou

Source: Berg Encyclopedia of World Dress and Fashion. Africa, 2010, Berg Fashion Library

Encyclopedia entry

Somalia is located in the Horn of Africa. The northern coast is less than one hundred miles from the Arabian Peninsula and shares a great deal of history and dress with that region. In the cities, houses are built with thick walls to keep out the heat; in the deserts, nomadic people live in shelters constructed of branches covered with leather or plastic, and distinct differences in dress exist. Nomadic dress has typically been more practical and flexible, consisting of leather, cotton wrappers,

Burqini

Heather Marie Akou

Source: Berg Encyclopedia of World Dress and Fashion. Global Perspectives, 2010, Berg Fashion Library

Encyclopedia entry

The burqini is a full-body swimsuit that combines the terms burqa and bikini. Aheda Zanetti, an Australian designer of Lebanese descent, created the burqini in 2006 as an alternative form of dress for Muslim women serving as lifeguards in Australia. Within months it became available to the general public worldwide. Buyers have included both Muslims and non-Muslims, who wear it for reasons ranging from modesty, to protection from UV light, to enhanced athletic performance. Similar full-body swimsu

Back to top
Results showing
1 - 25 of 182 (8 pages)
Page 1 of 8