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China

Shubhapriya Bennur, Yiyue Fan, Md. Rashaduzzaman, Laubie Li, Jun Ying Yu and Jaya Halepete

Source: Retailing In Emerging Markets, 2nd Edition, 2017, Fairchild Books Library

Book chapter

After reading this chapter, you will:

Sartorial Boundaries on the Chinese Frontier

Antonia Finnane

Source: Dress and Ideology. Fashioning Identity from Antiquity to the Present, 2017, Berg Fashion Library

Book chapter

I return home and see my kin …

Imperial Sociocultural Systems and Dress

Joanne B. Eicher and Sandra Lee Evenson

Source: The Visible Self. Global Perspectives on Dress, Culture, and Society, 4th Edition, 2015, Fairchild Books Library

Book chapter

At the conclusion of this chapter, you will be able to:

The Art of Dress: Conformity and Individuality

Joanne B. Eicher and Sandra Lee Evenson

Source: The Visible Self. Global Perspectives on Dress, Culture, and Society, 4th Edition, 2015, Fairchild Books Library

Book chapter

At the conclusion of this chapter, you will be able to:

Economy of Scale: A Global Context

Paul Gill

Source: Sustainable Fashion What’s Next?. A Conversation about Issues, Practices and Possibilities, 2nd Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

PAUL GILL is a garment industry executive with more than thirty years of experience specializing in areas of global manufacturing, production, scouring, and factory relationships. He is renowned for his work in promoting and resolving issues of fair trade with domestic and international manufacturing firms.

Anna Sui

Elizabeth Kutesko

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Designer Biography

Valentino, Fall/Winter 1992

Rosily Roberts

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

Valentino’s fall/winter 1992 collection, designed shortly after his thirtieth anniversary in the fashion industry, draws on both the history of Western dress and clothing from China and Japan for inspiration. The dramatic silhouette of his 1980s lines has disappeared, and he is allowing for a greater exposure of the model’s body as he creates a collection out of luxurious materials that is rich with detailing. The timeless elegance that he was so well known for by the 1990s continues to appear in

International Fashion Law: Brand Protection and IP Law in Key Fashion Markets

Connie Carnabuci and Victoria White

Source: Fashion Law. A Guide for Designers, Fashion Executives, and Attorneys, 2nd Edition, 2014, Fairchild Books Library

Book chapter

A fashion label must adopt a global brand protection strategy if it anticipates operating in foreign markets. In this chapter we explore international IP registration strategies with a view to maximizing the country-specific advantages of the different national systems. We conclude the chapter with a summary of key IP and brand protection rules and procedures in several of the world’s leading fashion markets. Applications for trademark registration should be initiated at the earliest opportunity

Introduction

Adam Geczy

Source: Fashion and Orientalism. Dress, Textiles and Culture from the 17th to the 21st Century, 2013, Berg Fashion Library

Book chapter

We arrived at the opulent bazaars that form the centre of Istanbul, a solidly constructed stone labyrinth in the Byzantine style which served as a vast shelter from the daytime heat. Its huge galleries of arched and vaulted ceilings supported by sculpted pillars were in colonnades, each dedicated to particular kinds of merchandise. Most remarkable were the clothes and the female slippers [babouches], fabrics embroidered or in lamé, cashmeres, carpets, gold, silver or opal-encrusted furniture, the

Early Orientalism and the Barbaresque

Adam Geczy

Source: Fashion and Orientalism. Dress, Textiles and Culture from the 17th to the 21st Century, 2013, Berg Fashion Library

Book chapter

Just to what extent Justinian was instrumental in the demystification of silk within Europe is debatable, because the fibres of the highest quality still emanated from elsewhere: the Middle East and Cathay. Silks had always been the commodity of choice for the Roman citizenry and aristocracy. Although the earliest dates of trade with Asia and the Middle East are uncertain, they can be traced to as far back as the fourth century bc, when the commerce was predominately with India and Persia. China

Conclusion: The Revenge of China

Adam Geczy

Source: Fashion and Orientalism. Dress, Textiles and Culture from the 17th to the 21st Century, 2013, Berg Fashion Library

Book chapter

Dolce color d’orientale zaffiro [Sweet hue of oriental sapphire].

Fashion Films, Blogs and E-Commerce: The Puzzle of Fashion Distinction in China

Simona Segre reinach

Source: Fashion Media. Past and Present, 2013, Berg Fashion Library

Book chapter

There once was a European who wanted a new suit. Since there were no European tailors in China, he called in a Chinese tailor and asked him if he was able to copy and sew a European suit. The tailor said he could make it up, if he provided him with a model. The European found an old, worn-out suit and gave it to him. After a few days the tailor brought the new suit. The European examined it and found it perfect. The only thing was that on the shoulders of the suit the tailor had made a hole, and

Introduction

Jianhua Zhao

Source: The Chinese Fashion Industry. An Ethnographic Approach, 2013, Berg Fashion Library

Book chapter

On a sultry summer day in Beijing in 2002, I was riding a taxi to a department store near Wangfujing. The store sold traditional Chinesestyle clothing, in which I was interested as part of my research on Chinese clothing styles. Suddenly, the taxi driver, a man in his forties, started yelling, “Ji (hooker)! Ji! [That] must be a ji.” Guided by his angry finger, I saw a tall slender young Chinese woman wearing a glaringly red backless silk halter-top secured with only two strings in the back, march

The Growth of Chinese Textile and Apparel Industries: Is It Just an Illustration of Modernization?

Jianhua Zhao

Source: The Chinese Fashion Industry. An Ethnographic Approach, 2013, Berg Fashion Library

Book chapter

The textile and apparel industries are of vital importance to the Chinese economy, even though they are often regarded as “sunset industries” in developed countries such as the United States. These industries provide fabric and clothing to meet the basic needs of a population of 1.3 billion people, employ about 19 million workers,The number is reportedly over one hundred million if those employed in supporting industries, such as the cotton growers, are included. These numbers are estimates by th

What Do Changing Chinese Fashions Really Tell Us?

Jianhua Zhao

Source: The Chinese Fashion Industry. An Ethnographic Approach, 2013, Berg Fashion Library

Book chapter

We are modern not only because we have achieved this status historically, but because we have developed consciousness of our historical depths and trajectories, as also our historical transcendence of the traditional.

Designing a National Style: The Tangzhuang Phenomenon

Jianhua Zhao

Source: The Chinese Fashion Industry. An Ethnographic Approach, 2013, Berg Fashion Library

Book chapter

On October 21, 2001, the last day of the Asia-Pacific Economic Cooperation (APEC) Summit, then-Chinese president Jiang Zemin along with other Asia-Pacific heads of state donned brightly colored Chinese silk jackets and matching white silk shirts and black pants or skirts, and posed in front of the world media (Figure 4.1).A Chinese source reported that 3,000 journalists from around the world congregated in Shanghai to cover this event (Beijing qingnianbao 10/15/2001). The jacket soon became known

For the Sake of Art or for the Market? The Cultural Economy of Fashion Design

Jianhua Zhao

Source: The Chinese Fashion Industry. An Ethnographic Approach, 2013, Berg Fashion Library

Book chapter

Being good in business is the most fascinating kind of art. Making money is art and working is art and good business is the best art.

Creating Fashion on the Runway, Chinese Style

Jianhua Zhao

Source: The Chinese Fashion Industry. An Ethnographic Approach, 2013, Berg Fashion Library

Book chapter

If the Chinese fashion industry is a puzzle, then China Fashion Week (CFW) is an occasion when all the pieces of the puzzle come together. During China Fashion Week, all the major players of the fashion field, including designers, models, members of the media, potential buyers, fashionistas, and students and scholars of fashion, gather together to display and witness the latest fashion trends. It is also an important social occasion for reunions and celebrations among friends and colleagues. Towa

Making Clothes for International Markets: A Clothing Perspective on Globalization

Jianhua Zhao

Source: The Chinese Fashion Industry. An Ethnographic Approach, 2013, Berg Fashion Library

Book chapter

The winter of 2005 was a joyful time for Pittsburgh Steelers’ fans, because their team did the almost impossible. It went into the postseason as a wild card team and upset all the stronger teams on the road and was on its way to win the Super Bowl. The joy spread far beyond Pittsburgh and the United States. Mr. Zeng Gang, a contact and friend of mine who lives in Shanghai, China, and works in the business of international garment trade, was so excited for me that he sent me a Steelers jersey via

Conclusion: Clothing, Modernization, and Globalization

Jianhua Zhao

Source: The Chinese Fashion Industry. An Ethnographic Approach, 2013, Berg Fashion Library

Book chapter

When the Chinese Communist Party decided to reform the Chinese economy in 1978, it started a fundamental shift in China’s economic structure from a state-owned and state-run planned economy to one that is composed of increasing shares of privately owned and foreign-owned sectors. China’s apparel industry is particularly illustrative of this trend. Since the early 1990s, China’s apparel industry has been dominated by non-state-owned sectors. Such a shift in China’s economic structure has created a

Performance Dress in China and Taiwan

Alexandra B. Bonds, Dongshin Chang and Elizabeth Johnson

Source: Berg Encyclopedia of World Dress and Fashion. East Asia, 2010, Berg Fashion Library

Encyclopedia entry

Over three hundred forms of indigenous theater entertainment incorporating song and music have evolved in China, with different forms of music-dramas being performed in specific regions throughout the country. Among these forms, Kunqu (songs of Kunshan) took shape in the Lower Yangtze region of China in the mid-sixteenth century, attained national popularity in the following two centuries, and is still thriving in the early twenty-first century. Jingju (capital drama), commonly known in the West

Wearing Ethnic Identity: Power of Dress

Uradyn E. Bulag

Source: Berg Encyclopedia of World Dress and Fashion. East Asia, 2010, Berg Fashion Library

Encyclopedia entry

From the earliest written records, dress in China has been used to signify a political order and to mark the boundary between civilization and barbarity. China has gone through scores of dynastic changes, each producing distinct dress codes. For more than half of its history, part or all of China has been conquered and ruled by Inner Asian pastoral nomads; as a result, the history of dress in China is fraught with identity problems. Chinese civilizational imperatives dictate that the people of a

Hui National Minority

Kevin Caffrey

Source: Berg Encyclopedia of World Dress and Fashion. East Asia, 2010, Berg Fashion Library

Encyclopedia entry

The Hui are one of the largest of China’s national minorities. With a population of 9.82 million, according to the 2000 census, they are the only minority to be identified solely by a religion. The Chinese (Mandarin)-speaking Muslims known as Hui (pronounced “hwei”) make up the country’s largest Muslim group, and they live in all of the country’s cities and provinces. In several provinces—Gansu, Qinghai, and Yunnan among them—Hui make up a substantial proportion of the population. The Ningxa Hui

Asian American

Usha Chowdhary

Source: Berg Encyclopedia of World Dress and Fashion. The United States and Canada, 2010, Berg Fashion Library

Encyclopedia entry

In 2004, Asian Americans represented 33 percent of the total immigrants in the United States and 50 percent in Canada. Even though previous studies show that immigrants acculturate over time and are assimilated to the new cultural values, their ethnic identity continues to be important for selected parts of their everyday life. Ethnic identity allows association between and among people based on their shared worldviews, social practices, and commonality of past experiences and helps with giving a

Miao National Minority

Gina Corrigan

Source: Berg Encyclopedia of World Dress and Fashion. East Asia, 2010, Berg Fashion Library

Encyclopedia entry

Today, the Miao ethnic minority live in southwestern China, their population totaling 8.9 million. Miao origins and migrations are controversial and poorly documented, but we know that attempts to subdue them have been difficult. Miao in remote mountain regions developed many garments, expressing cultural identity. In 2000 a book published in China illustrated 173 different styles of Miao dress. Following the death of Mao Zedong in 1976, the female population in the countryside again adopted trad

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