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Application of Trend Data

Aki Choklat

Source: Menswear Trends, 2018, Fairchild Books Library

Book chapter

TrendinformationTextile View (magazine) Trends and trend research are useful in several different areas of the men's fashion business. Within larger menswear corporations there are often specific menswear brands that utilize trend information in various different ways, from packaging to selection of materials. Similarly, retailers use numerous sectors, such as general trend direction, colour and material information, to influence their decision process from visual merchandising to buying.

The Design Process

Martin M. Pegler and Anne Kong

Source: Visual Merchandising and Display, 7th Edition, 2018, Fairchild Books Library

Book chapter + STUDIO

one-off design brief, alternative approach todocumentation included in design briefdesign briefdocumentation included inbalancedefinedbriefdesign concepts ofdirective forThe design design concepts ofprocess forprocess typically begins with a document known as a design processdesign directivedesign directive, which is also called a brief or deckdeck. The directive provides a comprehensive review of the proposed initiative. It can originate internally within the company or externally with a contrac

Creating and presenting a forecast

Chelsea Rousso and Nancy Kaplan Ostroff

Source: Fashion Forward. A Guide to Fashion Forecasting, 2nd Edition, 2018, Fairchild Books Library

Book chapter + STUDIO

fashion forecastsfinalThe two portions of a final fashion forecast include a visual portion and a written portion. To stylecreate a professional-quality forecast, a visually stimulating product and a compelling script must be developed. The fashion forecastsvisual portionvisual portion is made up of presentationpresentation boards, computer-generated slides, or imagery created for the Web. The fashion forecastswritten portionwritten portion can be verbally presented to an audience through a scrip

The Design Sketch: A History of Style

Linda Tain

Source: Portfolio Presentation for Fashion Designers. Fourth Edition, 4th Edition, 2018, Fairchild Books Library

Book chapter

As women began to be assimilated into the male-dominated workplace, the need arose for a more tailored and functional working wardrobe. Enter the streamlined hourglass silhouette with leg-o’-mutton sleeve, giving new emphasis to the shoulder line. Multiple petticoats replaced the crinoline and bustle, whereas the corseted bodice remained. The Gibson, Charles DanaGibson Girl look for evening, complete with poufed hair knotted on top, was even more detail oriented than its daytime counterpart, aide

Organization and Contents

Linda Tain

Source: Portfolio Presentation for Fashion Designers. Fourth Edition, 4th Edition, 2018, Fairchild Books Library

Book chapter

Portfolio casesentry-levelEntry-level portfolioThe entry-level portfolio for applying to a fashion design program usually consists of a prescribed format (designed by the college) to demonstrate design, rendering, and presentation skills. Whether you prepared the portfolio on your own or during a pre-college program, your interviewer will be looking for drawing ability, creativity and imagination, individuality/style/ personal vision, and an awareness of fashion. These are the criteria you will b

The Design Journal: Exploration and Process

Linda Tain

Source: Portfolio Presentation for Fashion Designers. Fourth Edition, 4th Edition, 2018, Fairchild Books Library

Book chapter

Design journalstyle and sizeStyle and Size

Presentation Concepts

Linda Tain

Source: Portfolio Presentation for Fashion Designers. Fourth Edition, 4th Edition, 2018, Fairchild Books Library

Book chapter

Because Chapter 4 discusses organization and content, this chapter will primarily deal with the characteristic elements of a Fabric/color portfolio contentspresentation conceptspresentation, namely Mood/theme, presentation conceptsPresentation conceptsmood/thememood/theme, fabric/color story, design groups on figures, and flat presentations.

Flats and Specs

Linda Tain

Source: Portfolio Presentation for Fashion Designers. Fourth Edition, 4th Edition, 2018, Fairchild Books Library

Book chapter

Creating good-looking, well-proportioned flats by hand takes practice. Designers who constantly draw flats claim that, with time, they acquire consistency in technique and speed in execution. The following exercises, techniques, and supply list are designed to assist the beginner, intermediate, and advanced student in drawing flats by hand. Later in the chapter, creating flats using Illustrator will be discussed and compared.

Presentations and Beyond

Linda Tain

Source: Portfolio Presentation for Fashion Designers. Fourth Edition, 4th Edition, 2018, Fairchild Books Library

Book chapter

Presentation collection/product development designplanningNo matter how complex or simple the project, careful planning is the key to creating professional presentation boards. Many designers make a “working” list that they adjust to suit each project. The following list is generally sufficient and applicable to most projects, in that each stage of development enables you to gain momentum and move ahead with minimum backtracking. Each of the following stages will be discussed in sequence:

Menswear Presentations

Linda Tain

Source: Portfolio Presentation for Fashion Designers. Fourth Edition, 4th Edition, 2018, Fairchild Books Library

Book chapter

Children's wear presentationsportfolioPutting together the menswear portfolio requires very much the same approach as any other fashion design specialty, yet these portfolios do feature specific qualities related to industry needs and requirements. A professional portfolio generally focuses on a specialty area and look, including but not limited to the following: traditional/tailored classics, casual separates, contemporary sportswear, and formal wear. The design sketches in Figure 9.4a-d, all ha

Children’s Wear Presentations

Linda Tain

Source: Portfolio Presentation for Fashion Designers. Fourth Edition, 4th Edition, 2018, Fairchild Books Library

Book chapter

Fashion Institute of Technology (FIT),Children's wear presentationsage and genderThe Children's wear presentationschildrenchildren’s wear designer must be aware of various age groups and their special requirements. From newborns to early teens, each group has specific needs determined by the developmental growth of the child and his or her physical abilities. For portfolio purposes, it is important to define these age groups visually by pose and attitude, which demonstrate the child’s capabilitie

Fashion Accessories Presentations

Linda Tain

Source: Portfolio Presentation for Fashion Designers. Fourth Edition, 4th Edition, 2018, Fairchild Books Library

Book chapter

category specificsThe major areas of Categoriesfashion accessoriesfashion accessories are the following:

Creative Design and the Development Package

Lisa Donofrio-Ferrezza and Marilyn Hefferen

Source: Designing a Knitwear Collection. From Inspiration to Finished Garments, 2nd Edition, 2017, Fairchild Books Library

Book chapter + STUDIO

Inspiration for a seasonal knitwear collection comes from many sources—popular culture; the available yarns and equipment; and prevailing trends in silhouettes, stitches, patterns, and color palettes. Designers may travel to yarn and knit fairs to review the forecasted trends for seasonal yarns and stitch development and begin to purchase sample yarn for their next season. One of the largest knit fairs, Pitti Filati, takes place in Florence, Italy, twice yearly for about three days around the end

Sample Development

Lisa Donofrio-Ferrezza and Marilyn Hefferen

Source: Designing a Knitwear Collection. From Inspiration to Finished Garments, 2nd Edition, 2017, Fairchild Books Library

Book chapter + STUDIO

The experience of knitting a sample on a hand-flat knitting machine is an invaluable process for designers to come to understand the principles of sweater construction. The method of hand-knitting on a machine includes increasing and decreasing to shape a garment and partial knitting to shape the shoulder and neckline. Through this experience, designers gain insight and an understanding of how a sweater's structure, styling, and finishing can affect the design. After knitting and constructing a b

Presentation Trends for Knitwear

Lisa Donofrio-Ferrezza and Marilyn Hefferen

Source: Designing a Knitwear Collection. From Inspiration to Finished Garments, 2nd Edition, 2017, Fairchild Books Library

Book chapter + STUDIO

The purpose of your portfolio is to clearly represent your skills and highlight your best work. In an interview, your résumé states your qualifications, and your portfolio represents your mastery of skills you bring to the job. Be focused and concise in what you include in your portfolio. Do not show volumes of work. Show only your best work.

Design Development for Menswear

John Hopkins

Source: Menswear, 2nd Edition, 2017, Fairchild Books Library

Book chapter

A man should look as if he’s bought his clothes with intelligence, put them on with care and forgotten all about them.

Menswear Presentations

John Hopkins

Source: Menswear, 2nd Edition, 2017, Fairchild Books Library

Book chapter

There are three responses toa piece of design—yes, no,and wow! Wow is the one toaim for.

Garment Styling

Sandra Keiser, Deborah Vandermar and Myrna B. Garner

Source: Beyond Design. The Synergy of Apparel Product Development, 4th Edition, 2017, Fairchild Books Library

Book chapter + STUDIO

“I wish I had invented blue jeans. They have expression, modesty, sex appeal, simplicity—all I hope for in my clothes.”

Translating Concept to Product

Sandra Keiser, Deborah Vandermar and Myrna B. Garner

Source: Beyond Design. The Synergy of Apparel Product Development, 4th Edition, 2017, Fairchild Books Library

Book chapter + STUDIO

“Ideas are magical only when they become real and can be appreciated and analyzed. A sketch translated into a sample garment is the realization of an idea. But it becomes complete only when the garment unites with a body moving in space.”

Research

Richard Sorger and Jenny Udale

Source: The Fundamentals of Fashion Design, 3rd Edition, 2017, Fairchild Books Library

Book chapter

There is no point in trying to be fashionable. This book cannot tell you how to design fashion; it can only tell you what the ingredients are, ways to put them together, and many of the important things that you will need to consider when designing clothes. Clothing is only “fashionable” when your peers or the industry deem a design to be of the zeitgeist. It either is or it isn’t.

Design

Richard Sorger and Jenny Udale

Source: The Fundamentals of Fashion Design, 3rd Edition, 2017, Fairchild Books Library

Book chapter

A garment design needs three basic ingredients:

Fashioning the Parisienne

Valerie Steele

Source: Paris Fashion. A Cultural History, 3rd Edition, 2017, Berg Fashion Library

Book chapter

J’ai sous les yeux une série de gravures de mode. Ces costumes presentent un charme d’une nature double, artistique et historique.

Into the Twentieth Century

Valerie Steele

Source: Paris Fashion. A Cultural History, 3rd Edition, 2017, Berg Fashion Library

Book chapter

Interviewed in 1903 about their favorite brand of corset, Mme. Réjane said, “pas besoin,” [no need] and Mlle Eve Lavaliére replied, “Je nien porte pas” [I don’t wear one].

Chanel and Her Rivals

Valerie Steele

Source: Paris Fashion. A Cultural History, 3rd Edition, 2017, Berg Fashion Library

Book chapter

Sandwiched between two world wars, between Poiret’s harem and Dior’s New Look, two women dominated the field of haute couture—Schiaparelli and Chanel.

Fashion Silhouettes

Steven Stipelman

Source: Illustrating Fashion. Concept to Creation, 4th Edition, 2017, Fairchild Books Library

Book chapter

This silhouette hangs straight from the shoulder. At the end of the 1950s, Balenciaga and Givenchy were greatly responsible for introducing this silhouette.

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