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Garment Construction

Anette Fischer and Kiran Gobin

Source: Construction for Fashion Design, 2nd Edition, 2017, Fairchild Books Library

Book chapter

The following equipment is used in the construction of garments. You will find the necessary items for hand and machine sewing in most haberdashery shops. If you are looking to invest in industrial machinery, then talk to a tradesman first.

What You Need to Sew and Overlock Knits

Sharon Czachor

Source: Sewing with Knits and Stretch Fabrics, 2016, Fairchild Books Library

Book chapter + STUDIO

In general, the term “laying out the fabric” refers to the positioning of the pattern pieces onto the fabric (Figure 2.1). In production a marker is created that indicates the layout of the pattern pieces and is used as a guide for cutting the fabric for production. The pattern layout can be done manually or on a computer and helps to estimate the amount of yardage required. Pattern pieces are arranged to take into consideration three aspects of the fabric: structure, design, and width. The patt

Stitching Knits with a Sewing Machine

Sharon Czachor

Source: Sewing with Knits and Stretch Fabrics, 2016, Fairchild Books Library

Book chapter + STUDIO

The supplies you will need to stitch samples of various stitches, seams, hems and techniques are a tape measure, scissors, marking utensil, seam ripper. You will also need the following.

The Skill of Hand and Machine Stitching

Zoya Nudelman

Source: The Art of Couture Sewing, 2nd Edition, 2016, Fairchild Books Library

Book chapter

Couture technicians use hand stitches to control the entire construction of the designed garment. Sewing by hand enables you to sew on the right side of the garment as well as areas that a sewing machine can never reach, such as small corners of designed pockets, fabric overlays, and much more. Hand stitching is sometimes best with thin, soft fabrics because it does not leave marks, and if there’s a mistake, it allows you to take out the seams without ruining the fabric.

The Sewing Machine and Sewing Equipment

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

Pressing is essential to complete a professional-looking garment. Using the correct pressing tools will ensure that all areas are correctly pressed to improve the overall look of the garment.

Method To This Madness

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Stitches

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Seams And Seam Finishes

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Darts

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Pleats and Tucks

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Bias and Bias Treatments

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Sewing with Knits

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Zippers

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Pockets

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Sleeves, Plackets, and Cuffs

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Collars

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Neckline Plackets

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Facings

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Linings

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Tailoring

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Waistlines

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Hems

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Closures

Connie Amaden-Crawford

Source: A Guide to Fashion Sewing, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

By studying the information in this chapter, the designer will be able to:

Tailoring

Roberto Cabrera and Denis Antoine

Source: Classic Tailoring Techniques for Menswear. A Construction Guide, 2nd Edition, 2015, Fairchild Books Library

Book chapter

Through the years, a few regional styles of tailoring have evolved, influenced by differences in use, fashionable appearance as well as climate. Each school has developed a unique heritage in its approach to the tailoring process. The following, presenting a brief synopsis of the various geographical schools of tailoring, should serve as a reminder of the fact that the techniques presented in this book remain very much only guidelines, open for experimentation by the practiced tailor.

Embroidery

Kimberly A. Irwin

Source: Surface Design for Fabric, 2015, Fairchild Books Library

Book chapter + STUDIO

Early needles and threads were used to sew together animal hides to make simple clothing and shelter, but eventually sewing evolved into a decorative craft. Embroidery developed throughout Siberia and the Middle East as early as the Bronze Age (4500–100 BC) and in China during the Zhou Dynasty (1100–256 BC).ClarkeSimon. Textile Design. London: Laurence King Publishing, 2011. It spread into Europe by the 12th century where it was found on religious banners and streamers bearing coats of arms. Embr

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