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Talitha Getty

Osman Ahmed

Source: Fashion Photography Archive 2015

Article

Talitha Dina Pol (1940–1971) was born in Bali. After moving to London in 1945, following a traumatic period spent with her birth mother in a Japanese POW camp, Talitha studied at Royal Academy of Dramatic Arts with hopes of becoming an actress. Young, beautiful, and exotic, she was courted and celebrated by London society, becoming the second wife of John Paul Getty Jnr., the son of oil tycoon Paul Getty, in 1966. She wore an all-white, mink-trimmed, hooded minidress that echoed the height of Swi

Michael Kors

Paula Alaszkiewicz

Source: Fashion Photography Archive 2015

Designer Biography

Manolo Blahnik

Rio Ali

Source: Fashion Photography Archive 2015

Designer Biography

Romeo Gigli

Rio Ali

Source: Fashion Photography Archive 2015

Designer Biography

Hip-Hop

Shayla Corinne Black

Source: Fashion Photography Archive 2015

Article

Hip-hop is a multifaceted genre of twentieth-century music, whose influence has expanded from the streets to the runway. It is a global phenomenon embraced by millions. Hip-hop began in the Bronx, New York and was forged by black youth as a form of artistic expression. Groups like Run-D.M.C. were iconic with their trademarks: Adidas sneakers, tracksuits, bucket hats, and gold rope chains. The fashion world avidly participated by appropriating the bright colors, athletic wear, loose-fitting garmen

Hermès

Lauren Bowes

Source: Fashion Photography Archive 2015

Designer Biography

Prada

Lauren Bowes

Source: Fashion Photography Archive 2015

Designer Biography

Sunglasses

Vanessa Brown

Source: Fashion Photography Archive 2015

Article

By the late 1960s, sunglasses were a well-established fashion accessory, having accumulated numerous valuable meanings within Western visual culture: speed, technology, military power, celebrity, travel, glamour, and the outsider cool of black American jazzmen, beatniks, rap artists, cinematic gangsters, and femmes fatales. Subsequently, sunglasses became increasingly significant to fashion, providing lucrative licensing opportunities as well as creative potential to nuance clothes with desirable

Alberta Ferretti

Giulia Bussinello

Source: Fashion Photography Archive 2015

Designer Biography

Mulberry

Amber Jane Butchart

Source: Fashion Photography Archive 2015

Designer Biography

Carmen Miranda

Fiona Corbridge

Source: Fashion Photography Archive 2015

Article

Carmen Miranda was born in Portugal but grew up in Rio de Janeiro and considered herself a Brazilian. Her love of singing led to a career as a musical star in Brazil, going on conquer the US in 1939. Her cheery, colorful persona wiggled through a succession of Hollywood movies in extraordinary costumes that celebrated the color and passion of Brazil and its music, accented with Carmen’s trademark headpieces. Her influence on fashion in her lifetime was strong, with ranges of clothing, jewelry, sh

Islamic Style

Magdalena Crăciun

Source: Fashion Photography Archive 2015

Article

Fashion designers have found inspiration in past and present sartorial repertoires. Islamically appropriate forms of covered dress have aesthetically been drawn upon as well. Consequently, headscarves, face veils and head-to-toe outerwear have occasionally appeared on the catwalk. Fashion commentators have pointed out that such creations and assemblages referenced ethic, traditional, historical, exotic or oriental dress, and only rarely labelled their source of inspiration as Islamic style. The n

Vivienne Westwood’s Elevated Ghillie Shoes from 1993

Hayley-Jane Edwards-Dujardin

Source: Fashion Photography Archive 2015

Article

For her fall/winter 1993–1994 “Anglomania” collection, Vivienne Westwood perched her models on extremely elevated platform shoes. Inspired, as most of her collection, by Scottish traditional garments, the platform shoes reinterpreted ancestral ghillies worn for folkloric dances. However, apart from the lacing structure, the shoes were more reminiscent of fetish footwear—an aesthetic typical of Vivienne Westwood’s taste for combining conservatism with subversiveness. When the British designer rein

Dai Rees

Alessandro Esculapio

Source: Fashion Photography Archive 2015

Designer Biography

Mitsuhiro Matsuda

Elizabeth Glendinning

Source: Fashion Photography Archive 2015

Designer Biography

Louis Vuitton (house)

Stephanie Edith Herold

Source: Fashion Photography Archive 2015

Designer Biography

Chanel Haute Couture, Karl Lagerfeld, Fall/Winter 1984

Michelle Honig

Source: Fashion Photography Archive 2015

Article

Shown at the Palais Garnier in Paris, home of the national opera, this fashion show was the most lavish and over-the-top fashion event in Paris at the time and began Karl Lagerfeld’s tradition of showmanship and set design. As with Karl’s first Chanel collection, this collection was panned for its deviation from Chanel’s trademark of easy comfort, with the classic Chanel suit made in a fitted silhouette that outlined the derrière. But it was also praised by others for updating Chanel’s image from

Chanel Haute Couture, Karl Lagerfeld, Fall/Winter 1985

Michelle Honig

Source: Fashion Photography Archive 2015

Article

This collection continued the development of Lagerfeld’s Chanel. Beaded looks were made to look like intricate tapestries and the hems of skirts were either floor-length or well above the knee, a deviation from Chanel’s strict rule of creating skirts 2 in. (5 cm) below the knee, no matter the fashion. The final bridal look was a white satin miniskirt suit. Two-tone, matronly pumps were a Chanel signature; the black stilettos in the collection underscored the younger, sexier direction of the house

Chanel Haute Couture, Karl Lagerfeld, Spring/Summer 1987

Michelle Honig

Source: Fashion Photography Archive 2015

Article

Chanel’s spring/summer 1987 haute couture collection was shown in the École Nationale Supérieure des Beaux-Arts in Paris, where a student demonstration outside the venue required there to be tight security. On the stage, a fake statue of the Winged Victory was clothed in Chanel and holding a quilted bag. Critics derided the bustle-inspired “parabola” line and peplum hems that “obscured the real fashion originality” and “made the models look a bit like roosters.” Despite the criticism, the empire

Red or Dead

Elizabeth Kutesko

Source: Fashion Photography Archive 2015

Designer Biography

Stephen Sprouse

Elizabeth Kutesko

Source: Fashion Photography Archive 2015

Designer Biography

Dirk Bikkembergs

Elizabeth Kutesko

Source: Fashion Photography Archive 2015

Designer Biography

Chloé

Morna Laing

Source: Fashion Photography Archive 2015

Designer Biography

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