Results: Text (85) Images (0)

You searched for

Modify your search terms or add filters

Filtered by

Sort by
Results per page
Results showing
1 - 25 of 85 (4 pages)
    Page 1 of 4
Talitha Getty

Osman Ahmed

Source: Fashion Photography Archive 2015

Article

Talitha Dina Pol (1940–1971) was born in Bali. After moving to London in 1945, following a traumatic period spent with her birth mother in a Japanese POW camp, Talitha studied at Royal Academy of Dramatic Arts with hopes of becoming an actress. Young, beautiful, and exotic, she was courted and celebrated by London society, becoming the second wife of John Paul Getty Jnr., the son of oil tycoon Paul Getty, in 1966. She wore an all-white, mink-trimmed, hooded minidress that echoed the height of Swi

Michael Kors

Paula Alaszkiewicz

Source: Fashion Photography Archive 2015

Designer Biography

Oscar De la Renta

Amber Jane Butchart

Source: Fashion Photography Archive 2015

Designer Biography

Ball Gowns

Emma Davenport

Source: Fashion Photography Archive 2015

Article

Ball gowns are considered to be the most extravagant category of evening dress. Although balls date back to the Middle Ages, and historically were seen as dance parties to celebrate all manner of occasions, they reemerged as a popular way to introduce eligible women and men into marriageable society during the mid-1800s. Competition for suitors centered on the expense and opulence of a woman’s ball gown. Subsequently, ball gowns have continued to represent ideals of romantic femininity. On the ca

Stephen Sprouse, Fall/Winter 1988

Lorynn Divita

Source: Fashion Photography Archive 2015

Article

Stephen Sprouse was a pioneer in merging street style and high fashion. During his early career at Halston, he was drawn to the downtown New York punk scene. Working with Keith Haring, Jean-Michel Basquiat, and Andy Warhol, his fall/winter collection of 1988 had all of the hallmarks of a Sprouse collection, with Day-Glo fabrics, sheath dresses, and bold graffiti prints. It was also Sprouse’s last collection for a decade. Stephen’s career flourished again at the end of his life thanks to his famou

Article

The omnipresent significance of the eighteenth century and the masked ball for the House of Dior found expression in the design of “Angie” for the “Masquerade and Bondage” collection, a short variation on 1760s court dress, paraphrasing the fashionable life and cruel fate of Marie Antoinette. Using the surface of the hip panels as a canvas for narrative and caricaturized embroideries, the dress becomes an epitome of storytelling through dressmaking, evoking crucial episodes of French history. Gal

Bridal Wear

Elizabeth Glendinning

Source: Fashion Photography Archive 2015

Article

The evolution of the bridal gown, and its history, aesthetic, and rituals, are significant within our cultural history and have an influence on the contemporary wedding ceremony. Modern designers continue to be influenced by fashion history, or may reflect current styles and concerns. This article predominantly refers to the white wedding gown worn traditionally in Western Christian cultures, its heritage, and the wedding dress as archival object.

Bella Freud

Elizabeth Glendinning

Source: Fashion Photography Archive 2015

Designer Biography

Monique Lhuillier

Stephanie Edith Herold

Source: Fashion Photography Archive 2015

Designer Biography

Carven

Stephanie Edith Herold

Source: Fashion Photography Archive 2015

Designer Biography

Chanel Haute Couture, Karl Lagerfeld, Fall/Winter 1990

Michelle Honig

Source: Fashion Photography Archive 2015

Article

In this collection, presented in the Champs-Élysées cinema, Karl Lagerfeld introduced the “slope,” a new iteration of the Chanel jacket that featured a narrow-fitting shoulder line. The clothes were influenced by a combination of eighteenth-century robes à la française and the mod 1960s, with open panniers that revealed miniskirts and thigh-high boots. The playfulness of the collection spoke to the young and daring attitude of the new couture customer. For the finale, Lagerfeld presented three br

Chanel Haute Couture, Karl Lagerfeld, Spring/Summer 1997

Michelle Honig

Source: Fashion Photography Archive 2015

Article

This collection was shown at the Ritz Hotel in Paris, in the Windsor suite—in the mode of a traditional salon show. It drew positive reviews, with one saying it was “the height of refinement … how a couture customer wants to look.” Yet, it focused mostly on evening wear, with sheer, lightweight fabrics. Despite the raciness of the revealing dresses, they looked traditional and refined. To underscore the refinement, Chanel’s logo was absent from the garments. Picture hats and “feather-on-a-stick”

Guy Laroche

Matina Kousidi

Source: Fashion Photography Archive 2015

Designer Biography

Ghost London

Morna Laing

Source: Fashion Photography Archive 2015

Designer Biography

Tomasz Starzewski

Nanna Marie Lund

Source: Fashion Photography Archive 2015

Designer Biography

Sportmax

Nanna Marie Lund

Source: Fashion Photography Archive 2015

Designer Biography

Dolce & Gabbana, Spring/Summer 1997

Tessa Maffucci

Source: Fashion Photography Archive 2015

Article

Dolce & Gabbana’s spring/summer collection of 1997 capitalized on their strengths. Sensual chiffon hugged curvaceous (but trim) hips and bra straps peeked out from under delicate, negligee-inspired fishtail gowns. The palette of the runway was punctuated by animal prints and florals, often visible beneath the sheer material of the dresses or through open-weave crochet sweaters. Their look is sexy and upbeat, drawing influence from Domenico Dolce’s Sicilian heritage and the imagery of Italian film

Zandra Rhodes, Spring/Summer 1984

Veronica Maldonado

Source: Fashion Photography Archive 2015

Article

Rhodes’s spring/summer 1984 collection made its debut in London’s Ritz Carlton hotel. Having studied textiles before designing fashion, Rhodes’s garments utilize fabric with a high degree of detail and craftsmanship. This collection was no exception, with dresses made of embroidered chiffon, metallic sequined ensembles, and dresses encrusted with hanging pearls and crystals, all in pastel color schemes accented with blazes of magenta and deep cerulean. While a few typical 1980s body-conscious, sh

Sarah Burton

Shonagh Marshall

Source: Fashion Photography Archive 2015

Designer Biography

Hervé Léger

Emily M. Orr

Source: Fashion Photography Archive 2015

Designer Biography

Mark Eisen

Emily M. Orr

Source: Fashion Photography Archive 2015

Designer Biography

“Safety-Pin Dress,” Versace Haute Couture, Spring/Summer 1994

Julia Petrov

Source: Fashion Photography Archive 2015

Article

Now synonymous with the actress who wore it, the “Liz Hurley” dress has become entrenched in popular culture. Originally an elite couture object that played with sartorial codes of high and low fashion, the dress was later referenced and imitated countless times. Remarkable for its deconstructed tailoring, which revealed as much as it concealed, this gown married a punk sensibility with red carpet style.

Coco Chanel

Aimee Scott

Source: Fashion Photography Archive 2015

Designer Biography

Anne Klein

Shari Sims

Source: Fashion Photography Archive 2015

Designer Biography

Ben de Lisi

Elizabeth Tregenza

Source: Fashion Photography Archive 2015

Designer Biography

Back to top
Results showing
1 - 25 of 85 (4 pages)
Page 1 of 4