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Maurizio Baldassari

Katy Conover

Source: Fashion Photography Archive 2015

Designer Biography

Chanel Haute Couture, Karl Lagerfeld, Fall/Winter 1984

Michelle Honig

Source: Fashion Photography Archive 2015

Article

Shown at the Palais Garnier in Paris, home of the national opera, this fashion show was the most lavish and over-the-top fashion event in Paris at the time and began Karl Lagerfeld’s tradition of showmanship and set design. As with Karl’s first Chanel collection, this collection was panned for its deviation from Chanel’s trademark of easy comfort, with the classic Chanel suit made in a fitted silhouette that outlined the derrière. But it was also praised by others for updating Chanel’s image from

Vivienne Tam, Spring/Summer 1999

Nadya Wang

Source: Fashion Photography Archive 2015

Article

Vivienne Tam (born 1957) is a New-York based designer who was born in China and grew up in Hong Kong. Her work has been a continuous experimentation in mixing and matching visual languages from the East and the West. Tam’s presentation for the spring/summer 1999 runway shows off her signature bilingualism, with images including Guanyin, the goddess of mercy, and the lotus flower combined with a relaxed, sporty style seen through the repeated use of windbreaker jackets in various prints and colors

Jewelry of Malaysia

Mohammed Kassim Bin Haji Ali

Source: Berg Encyclopedia of World Dress and Fashion. South Asia and Southeast Asia 2010

Encyclopedia entry

Beads were one of the earliest forms of manufactured body ornaments worn by indigenous groups in Malaysia. Some beads found in Borneo can be dated to the Metal Age. Earlier glass and stone beads that came from as far away as Egypt and Mesopotamia through bartering have become very valuable and are much sought after in the early twenty-first century; in earlier times they were sometimes used as currency. The ancient tradition remains strong, and status and wealth are measured according to the numb

Underwear

Grace Evans

Source: Berg Encyclopedia of World Dress and Fashion. West Europe 2010

Encyclopedia entry

The fashionable silhouette has gone through bewildering changes during the last two hundred years, and these would not have been possible without the shapes created beneath. Underwear and outerwear progressed in tandem. Underwear designers responded to prevailing styles of fashionable dress, and fashion designers built and relied upon the capabilities of structural underpinnings as they developed. These changes were, in turn, influenced by key social, economic, and technological developments, whi

Zipper

Robert Friedel

Source: The Berg Companion to Fashion 2010

Encyclopedia entry

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History of the Graduation Button Blanket

Sandra Price

Source: Berg Encyclopedia of World Dress and Fashion. The United States and Canada 2010

Encyclopedia entry

Each spring when the First Nations Haida secondary school graduates receive their button blankets, they are part of a centuries-old tradition of learning their identity, and a new tradition that celebrates their academic achievements. Button blankets are a relatively recent art form of the Haida, who live on the forested archipelago of Haida Gwaii off the west coast of British Columbia. When the first European and American traders arrived on the islands in the late 1700s, the Haida readily exchan

Tight-Lacing

Valerie Steele

Source: The Berg Companion to Fashion 2010

Encyclopedia entry

Corset

Valerie Steele and Colleen Gau

Source: The Berg Companion to Fashion 2010

Encyclopedia entry

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Technology and Fashion

Phyllis G. Tortora

Source: Berg Encyclopedia of World Dress and Fashion. The United States and Canada 2010

Encyclopedia entry

Dress in the modern world is made from a wide variety of materials. Generally, the components of dress are created and assembled by some technological process. The development of and advances in technologies used to produce fashionable dress products, however, are rarely viewed as factors related to fashion change. By exploring selected examples that originate from the time of the Industrial Revolution up to the twenty-first century, technological innovations in materials and techniques used to p

Buttons

Melinda Watt

Source: The Berg Companion to Fashion 2010

Encyclopedia entry

The precursor to the button fastener was the fibula, a brooch or pin used to hold two pieces of clothing on the shoulder or chest. The button began to replace the fibula at least by the early Middle Ages, if not sooner.

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