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Makeup on the Catwalk from the 1970s to 2000

Geraldine Biddle-Perry

Source: Fashion Photography Archive 2015

Article

This article is an exploratory history within a history of the catwalk since the 1970s. It examines the centrality of makeup to shifting systems and structures of catwalk performance and spectacle, but it is not a trend-by-trend analysis of cosmetic practices and products. Rather, the aim is to examine catwalk makeup as a generative force within the wider transformation of fashion image as commodity and cultural form in the latter decades of the twentieth century.

Carven

Stephanie Edith Herold

Source: Fashion Photography Archive 2015

Designer Biography

Linda Evangelista

Laura Peach

Source: Fashion Photography Archive 2015

Article

Supermodel Linda Evangelista was one of the most-seen faces in fashion, gracing over 600 magazine covers. Born in Ontario, Canada, Evangelista began modeling as a teenager. In the 1980s, she began working with photographer Peter Lindbergh, and her relationship with him transformed her into a supermodel. Evangelista was most known for the short haircut that shot her modeling career into the stratosphere, launching her as a supermodel. Although many photographs of Evangelista in the 1990s show her

Gwen Stefani

Laura Peach

Source: Fashion Photography Archive 2015

Article

As the lead singer for the rock band No Doubt, Gwen Stefani became a fashion and cultural icon in the late 1990s, following the release of the 1995 record Tragic Kingdom, which sold sixteen million copies. With signature ruby-red lips and platinum blonde hair, Stefani became iconic for her look. In the early 1990s, she often wore midriff-baring tops, and frequently appropriated symbolic ethnic fashions such as Indian bindi or mehndi-painted hands. Stefani and her band are from Orange County, Cali

Viktor & Rolf

Aimee Scott

Source: Fashion Photography Archive 2015

Designer Biography

Hair from the 1970s to 2000

Shari Sims

Source: Fashion Photography Archive 2015

Article

A hairstyle can be thought of as a woman’s ultimate accessory, subject to changing whims and changing fashions. On the catwalk, hairstyles are often collaborations between fashion designers and multitalented hairstylists, who envision their collaborations as artistic creations rather than mere expressions of style. From the 1970s on, as images of fashion spread more and more rapidly via newspapers, magazines, TV, and— eventually—the Internet, hairstyling options ranged from the attention-getting

Paco Rabanne

Daphne Stylianou

Source: Fashion Photography Archive 2015

Designer Biography

Keep Smiling Through: Good Health and Natural Beauty

Geraldine Howell

Source: Wartime Fashion. From Haute Couture to Homemade, 1939–1945 2012

Book chapter

Rei Kawakubo and Comme des Garçons

Bonnie English

Source: Japanese Fashion Designers. The Work and Influence of Issey Miyake, Yohji Yamamoto and Rei Kawakubo 2011

Book chapter

Vera Mackie (2003: 144)… women [in Japan] were condemned to be ‘mothers’ or ‘whores’.

Togo

Agbenyega Adedze

Source: Berg Encyclopedia of World Dress and Fashion. Africa 2010

Encyclopedia entry

Although dress in Togo is similar to that of its neighbors in West Africa, it has distinctive features that make it unique in the region. It is quite common for citizens of neighboring countries like Benin, Burkina Faso, and Ghana to identify a Togolese national by his or her clothes even though similar styles of dress might be present in these countries. Like most regions of the world, environment affects clothing choices, especially evident in practices distinguishing the north and the south of

Overview of Mongolia

Monisha Ahmed

Source: Berg Encyclopedia of World Dress and Fashion. East Asia 2010

Encyclopedia entry

Walking down the main street in Ulan Bator, Mongolia’s capital, past gray, crumbling Soviet-era buildings, a woman wearing a blue silk del, or robe, contrasts with the robust man by her side in a sober, gray Western-style suit. Walking alongside them are women in skinny jeans, fitted T-shirts, and stiletto heels. But far from the city, a nomad wears his sheepskin robe, sitting astride his horse. Mongolia has many faces. Probably the most celebrated of these is Chinggis Khaan, better known by his

Omani Dress

Julia M. Al-Zadjali

Source: Berg Encyclopedia of World Dress and Fashion. Central and Southwest Asia 2010

Encyclopedia entry

The English-speaking travelers of the past referred to Oman as the hidden corner of Arabia, yet Oman was and remains well known to its neighbors. It has an elaborate and rich history in the region, and the striking similarities to Oman’s neighbors that are found in dress throughout the country suggest that Oman has experienced many cultural, trade, and economic friendships over the centuries, which have left their mark. It is only in the early twenty-first century that attention is being paid to

Perfume and Incense

Julia Al-Zadjali

Source: Berg Encyclopedia of World Dress and Fashion. Central and Southwest Asia 2010

Encyclopedia entry

The use of perfumes is widespread throughout the Middle East. Throughout the Arab world a wide variety of spices, aromatic woods, flowers, seeds, and plants, such as ginger, pepper, and sandalwood are used for incense and perfumes. Many of these come from India. The essential oils from these sources are very important ingredients for both incenses (bakhoor) and perfumes. Sold at various prices, it is generally agreed that the more one pays for such an oil, the finer it is. For thousands of years

Dress in New Caledonia

Frédéric Angleviel

Translated by Marissa Dooris

Vikram Iyer

Source: Berg Encyclopedia of World Dress and Fashion. Australia, New Zealand, and the Pacific Islands 2010

Encyclopedia entry

New Caledonia, situated in the southwest Pacific Ocean, comprises a number of islands including the Loyalty Islands, Isle des Pins, and Isle Bélep. The warm climate and tropical vegetation have had a substantial influence on what the inhabitants have worn and do wear. In the past the indigenous people of New Caledonia, the Melanesian Kanaks, embellished their bodies in various ways. Subsequently, evangelical missionaries urged these people to hide their bodies. In the twenty-first century consume

Headdresses and Hairdos

Mary Jo Arnoldi

Source: Berg Encyclopedia of World Dress and Fashion. Africa 2010

Encyclopedia entry

Headwear has been an important feature of everyday wear and ceremonial display in Africa from ancient times to the present day. Hats and hairstyles can mark or celebrate changes in the life cycle, denote a person’s status in the community, signal membership in a religious or initiation society, designate key participants at rituals and festivals, or identify political and religious leaders and occupational specialists. Hats designed for daily wear provide pragmatic solutions to the problem of phy

Body Modification and Body Art

Lisa Aronson

Source: Berg Encyclopedia of World Dress and Fashion. Africa 2010

Encyclopedia entry

The U.S. anthropologist Enid Schildkrout characterizes the body as a “site where culture is inscribed (and) a place where the individual is defined and inserted into the cultural landscape.” Cultures throughout the African continent use the transformed body as means for expressing identities, norms, values, and aesthetic principles through a wide range of body art media, including everything from scarification, tattooing, painting, and oiling the skin to styling the hair and reshaping designated

Morocco

Cynthia J. Becker

Source: Berg Encyclopedia of World Dress and Fashion. Africa 2010

Encyclopedia entry

Morocco has long been a crossroads between Europe, the Middle East, and sub-Saharan Africa, and dress reflects the richness of its history as well as its geographic and cultural diversity. Forty to sixty percent of the Moroccan population is Berber, and many Berbers have retained their indigenous language. After the Phoenicians and then the Romans settled in Morocco and encountered the Berbers, Arabs moved into Morocco in the seventh century, founding the city of Fes and gradually converting the

Hair

Geraldine Biddle-Perry and Sarah Cheang

Source: Berg Encyclopedia of World Dress and Fashion. Global Perspectives 2010

Encyclopedia entry

Across cultures, the symbolic and material management of hair on bodies, faces and heads is intrinsic to human adornment and hygiene, ritualized belief, and commercial enterprise. Fashions in hair can display an enormous and shifting range of aesthetic and social conventions. A wide variety of primary and secondary sources provides an overview of key debates and theories that describe, inform, and develop our understanding of the styling and management of human hair as a powerful vehicle for soci

Malawi

Barbara W. Blackmun

Source: Berg Encyclopedia of World Dress and Fashion. Africa 2010

Encyclopedia entry

Landlocked Malawi is situated in southeast Africa. It has a large lake, a varied topography and climate, and a diverse population. Dress traditions reflect the country’s checkered history, involving foreign influence through migration, trade, and invasion. Nguni warriors from Natal conquered lakeside farming communities in the 1850s, and Arab and Yao slave traders later devastated the land, which became a British protectorate in 1890. Previously, the Maravi and Yao peoples were renowned ironworke

Performance Dress in China and Taiwan

Alexandra B. Bonds, Dongshin Chang and Elizabeth Johnson

Source: Berg Encyclopedia of World Dress and Fashion. East Asia 2010

Encyclopedia entry

Over three hundred forms of indigenous theater entertainment incorporating song and music have evolved in China, with different forms of music-dramas being performed in specific regions throughout the country. Among these forms, Kunqu (songs of Kunshan) took shape in the Lower Yangtze region of China in the mid-sixteenth century, attained national popularity in the following two centuries, and is still thriving in the early twenty-first century. Jingju (capital drama), commonly known in the West

Igbo in Nigeria and Diaspora

Herbert M. Cole

Source: Berg Encyclopedia of World Dress and Fashion. Africa 2010

Encyclopedia entry

One of the largest populations of West African peoples at over twenty million, the Igbo have a history of dress and personal decoration lasting over one thousand years. The archaeological sites of Igbo Ukwu, dating from the ninth and tenth centuries c.e., begin this record in the heart of Igbo country, twenty-five miles (forty kilometers) east of the Niger River and about one hundred miles (one hundred sixty-one kilometers) north of the Atlantic Ocean. Although the documentation is largely blank

Beards and Mustaches

Caroline Cox

Source: The Berg Companion to Fashion 2010

Encyclopedia entry

Afro Hairstyle

Maxine Leeds Craig

Source: The Berg Companion to Fashion 2010

Encyclopedia entry

In the 1950s black women were expected to straighten their hair. An unstraightened black female hairstyle constituted a radical rejection of black community norms. Black women straightened their hair by coating it with protective pomade and combing it with a heated metal comb. This technique transformed the tight curls of African American hair into completely straight hair with a pomaded sheen. Straightened hair remained straight until it had contact with water. Black women made every effort to l

Swimwear, Surfwear, and the Bronzed Body in Australia

Jennifer Craik

Source: Berg Encyclopedia of World Dress and Fashion. Australia, New Zealand, and the Pacific Islands 2010

Encyclopedia entry

For many people, Australia is synonymous with the dream of sun, surf, and sand. Australia is perceived as a land of leisure and lounging around—preferably by the water. In order to do this, Australians dress in a casual way in swimsuits, surfwear, or leisure wear such as tank tops (sleeveless, low-necked tops) or T-shirts, shorts, and thongs (rubber sandals). Sunhats are, of course, obligatory in the Australian climate if skin cancer is to be avoided. Accordingly, popular representations of this

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