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Superheroes and the fashion of being unfashionable

Barbara Brownie and Danny Graydon

Source: The Superhero Costume. Identity and disguise in fact and fiction 2016

Book chapter

Those superhero costumes that remain most static over time are largely symbolic. When costumes are utilitarian, as with Iron Man (character)Iron Man’s suit, extreme transformation is justifiable as a technological development. By contrast, the costumes of Superman (character)Superman and Wonder WomanWonder Woman, which do little to enhance their performance, remain relatively consistent. Such garments function through stylistic or, following Barthes, RolandBarthes, linguistic expression, more tha

Superhero cosplay

Barbara Brownie and Danny Graydon

Source: The Superhero Costume. Identity and disguise in fact and fiction 2016

Book chapter

re-enactmentThe notion of a fan has moved beyond “older ideas of media spectatorship” that involve little more than direct consumption of a cultural artifact (Flemming, 2007, p. 16). participatory fandomParticipatory fandom involves tangential activities which expand upon the fictional world and blur boundaries with reality. “Fans create a fan culture with its own systems of production and distribution that forms . . . a ‘shadow cultural economy’ that lies outside that of the cultural industries

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