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Helena Christensen

Laura Peach

Source: Fashion Photography Archive 2015

Article

As one of the main supermodels in the 1990s, Helena Christensen was frequently photographed for fashion magazines. Born to a Peruvian mother and Danish father, Christensen was raised in Denmark. Her modeling career began when she was a contestant in the Miss Universe beauty pageant in 1986. Shortly after, her modeling career took off in Paris. Although she frequently modeled highly stylized and ostentatious looks, Christensen’s personal style was one of bohemian chic, and off the runway she was s

Miss Headscarf: Islamic Fashion and the Danish Media

Connie Carøe Christiansen

Source: Islamic Fashion and Anti-Fashion. New Perspectives from Europe and North America 2013

Book chapter

Whilst cultural commentators tended to downplay the aesthetic potential of the headscarf, contestants were generally more sensitive to its potential both as an item of fashion and self-cultivation. They were also conscious of the need to challenge perceptions of Muslim women through their appearance. In several of the Danish newspaper articles which featured the contest, young Muslim women in Denmark were given the opportunity to speak and to present another angle on the headscarf to that usually

Early History of Dress and Fashion in the Nordic Countries

Eva B. Andersson, Margarita Gleba, Ulla Mannering and Marianne Vedeler

Source: Berg Encyclopedia of World Dress and Fashion. West Europe 2010

Encyclopedia entry

The Nordic countries comprise Denmark, Norway, Sweden, Aaland, Finland, Iceland, the Faroes, and Greenland. The northernmost part of Germany and the Norse community on Greenland are also considered here to be within this cultural area. Denmark has abundant Bronze and Early Iron Age finds, while Sweden, Norway, Finland, and Greenland have yielded more medieval material. From about 4200 b.c.e., textiles appear at Danish sites; Early Bronze Age graves have yielded complete garments, including women’

The Concept of National Dress in the Nordic Countries

Bjørn Sverre Hol Haugen

Source: Berg Encyclopedia of World Dress and Fashion. West Europe 2010

Encyclopedia entry

In parts of West Europe, folk dress traditions developed in preindustrial rural societies, replaced by newer styles centuries ago; elsewhere, folk dress was worn daily until almost the twenty-first century. Among the northern Sámi people, and in Greenland, the last traces of folk dress are still in daily use. The defining factor of folk dress is its local character, whereas national dress is not part of daily life in local societies. Where folk dress is still worn, it is by older generations, wit

Denmark

Marie Riegels Melchior

Source: Berg Encyclopedia of World Dress and Fashion. West Europe 2010

Encyclopedia entry

In terms of dress and fashion, Denmark is an example of a peripheral West European country within the international fashion system. Since the Middle Ages, new fashions have found their way to Denmark through the internationally oriented royal family, the purchases of well-traveled citizens, various international and national fashion reports, and international purchases by local retailers. With varying speed, new cuts, colors, and styles have impressed themselves upon both the everyday and festive

European Retailers and Global Sourcing Networks

Lotte Thomsen

Source: Berg Encyclopedia of World Dress and Fashion. West Europe 2010

Encyclopedia entry

The sourcing networks of global buyers have spread over a large range of countries and regions, and clothing consumption in West Europe in the early twenty-first century is almost entirely fed by imports from developing countries. There are considerable differences in the sourcing policies and practices of major West European retailers. But in the early twenty-first century, clothing sourcing networks—especially those based in Anglo-Saxon countries—are reaching a level of maturity that imposes ne

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