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Presentations and Beyond

Linda Tain

Source: Portfolio Presentation for Fashion Designers. Fourth Edition, 4th Edition, 2018, Fairchild Books Library

Book chapter

Presentation collection/product development designplanningNo matter how complex or simple the project, careful planning is the key to creating professional presentation boards. Many designers make a “working” list that they adjust to suit each project. The following list is generally sufficient and applicable to most projects, in that each stage of development enables you to gain momentum and move ahead with minimum backtracking. Each of the following stages will be discussed in sequence:

Fashion Accessories Presentations

Linda Tain

Source: Portfolio Presentation for Fashion Designers. Fourth Edition, 4th Edition, 2018, Fairchild Books Library

Book chapter

category specificsThe major areas of Categoriesfashion accessoriesfashion accessories are the following:

Creative Design and the Development Package

Lisa Donofrio-Ferrezza and Marilyn Hefferen

Source: Designing a Knitwear Collection. From Inspiration to Finished Garments, 2nd Edition, 2017, Fairchild Books Library

Book chapter + STUDIO

Inspiration for a seasonal knitwear collection comes from many sources—popular culture; the available yarns and equipment; and prevailing trends in silhouettes, stitches, patterns, and color palettes. Designers may travel to yarn and knit fairs to review the forecasted trends for seasonal yarns and stitch development and begin to purchase sample yarn for their next season. One of the largest knit fairs, Pitti Filati, takes place in Florence, Italy, twice yearly for about three days around the end

Computer-Aided Design for Knitwear

Lisa Donofrio-Ferrezza and Marilyn Hefferen

Source: Designing a Knitwear Collection. From Inspiration to Finished Garments, 2nd Edition, 2017, Fairchild Books Library

Book chapter + STUDIO

Doug Ross at MIT coined the phrase “computer-aided design” in 1959.Douglas T. Ross, http://groups.csail.mit.edu/mac/projects/studentaut/ncworld/NCWorld_DR_photo.htm.CAD, by definition, is the use of computer technology as a tool to design products. The products that the programs design and create depend on the user. Specialized CAD programs are used by fashion designers, textile designers, industrial designers, architects, graphic designers, engineers, and a host of others. The list of creative u

Menswear Presentations

John Hopkins

Source: Menswear, 2nd Edition, 2017, Fairchild Books Library

Book chapter

There are three responses toa piece of design—yes, no,and wow! Wow is the one toaim for.

Merchandise Planning

David Shaw and Dimitri Koumbis

Source: Fashion Buying. From Trend Forecasting to Shop Floor, 2nd Edition, 2017, Fairchild Books Library

Book chapter

Merchandise planners have to gauge daily, weekly, and seasonal demand for what is probably one of the most difficult consumer products to predict. This difficulty arises from a number of factors, of which the need to successfully monitor and control stock is perhaps the most significant. If a fashion business has too little stock, it will potentially lose sales to competitors; on the other hand, if it has too much stock, it will have invested buying money that is effectively “dead.”

Project One—Photoshop: Layers and Custom Brushes

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Two—Photoshop: New Ways of Drawing

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Three—Photoshop: Scanning Drawings for Editing and Recoloring

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Four—Photoshop: Vector Drawing and Brushes Applied as Strokes

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Five—Photoshop: Stripes and Weaves

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Six—Photoshop: Repeats and Colorways

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Seven— Color Theory in Practice

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Eight—Photoshop: Fills, Textures, and Layers

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Nine—Illustrator: Paths to Fashion

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Ten—Simple Geometry in Illustrator

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will

Project Eleven—Repeat Patterns in Illustrator

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Twelve—Illustrator: Photoshop and Filters

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

Photoshop and Illustrator contrast with traditional media in their extreme predictability. Whereas this is normally to your advantage sometimes as a designer you might want some unexpected variation in the results. This is where Filters and Effects can come to your aid. With Filters and Effects you still have to think as a designer and use your individual creativity. Otherwise, an off-the-peg filter used artlessly can make your work look exactly like someone else’s who has used the same filter.

Project Thirteen—Illustrator: The Blob and Art Brushes

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Fourteen—Illustrator: Flats

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Fifteen—Illustrator: All the Trimmings

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Project Sixteen—Illustrator: Layout

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

Without some underlying structure in a presentation, elements can jump about randomly distracting the viewer and thereby working against your desire to appear professional

Project Seventeen—Illustrator: Presentation

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

Review

Project Eighteen—Photoshop: Presentation

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book chapter

In this project you will:

Sharing, Communication, and Output

Robert Hume

Source: Fashion and Textile Design with Photoshop and Illustrator. Professional Creative Practice, 2016, Fairchild Books Library

Book part

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