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Menswear Presentations

Linda Tain

Source: Portfolio Presentation for Fashion Designers. Fourth Edition, 4th Edition, 2018, Fairchild Books Library

Book chapter

Children's wear presentationsportfolioPutting together the menswear portfolio requires very much the same approach as any other fashion design specialty, yet these portfolios do feature specific qualities related to industry needs and requirements. A professional portfolio generally focuses on a specialty area and look, including but not limited to the following: traditional/tailored classics, casual separates, contemporary sportswear, and formal wear. The design sketches in Figure 9.4a-d, all ha

Fashioning the Parisienne

Valerie Steele

Source: Paris Fashion. A Cultural History, 3rd Edition, 2017, Berg Fashion Library

Book chapter

J’ai sous les yeux une série de gravures de mode. Ces costumes presentent un charme d’une nature double, artistique et historique.

Into the Twentieth Century

Valerie Steele

Source: Paris Fashion. A Cultural History, 3rd Edition, 2017, Berg Fashion Library

Book chapter

Interviewed in 1903 about their favorite brand of corset, Mme. Réjane said, “pas besoin,” [no need] and Mlle Eve Lavaliére replied, “Je nien porte pas” [I don’t wear one].

Records of the Types of Dress

Joanne B. Eicher and Sandra Lee Evenson

Source: The Visible Self. Global Perspectives on Dress, Culture, and Society, 4th Edition, 2015, Fairchild Books Library

Book chapter

At the conclusion of this chapter, you will be able to:

Fashion Plates

Madeleine Ginsberg

Source: The Berg Companion to Fashion, 2010, Berg Fashion Library

Encyclopedia entry

People attractively or unusually dressed have been popular graphic subjects at least since the sixteenth century, when the Costume Book or Trachtenbuch brought them into popular publishing. By the middle of the seventeenth century, the graphic artist Vaclav Hollar had given such illustrations new artistic status and Bosse, Callot, and de Hooghe began to group their fashionables in suitable settings.

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