Bloomsbury Fashion Central
Skip to main content

Valerie Steele Curated Playlist: Spectacular Shows

Curated by Valerie Steele

Only a very few fashion shows are spectacular – visual events with an emotional impact akin to a great theatrical or operatic experience. Perhaps the ultimate creator of spectacular fashion shows was Lee Alexander McQueen, who designed his collections with the catwalk show in mind. All of his shows were extraordinary, but Voss (Spring/Summer 2001), is widely regarded as his masterpiece. A huge mirrored cube revealed a madhouse, where models were attired in dresses made of clam and mussel shells or blood-red feathers and microscope slides. Another brilliant McQueen show, one of my personal favorites, is Joan (Autumn/Winter 1998), which evokes the life and death of the woman warrior, Joan of Arc.

Only John Galliano’s fashion shows for Christian Dior Haute Couture rivaled McQueen’s for drama, although whereas McQueen played with terror, Galliano was enthralled by glamour. His Spring/Summer 1998 show for Dior was inspired by the Marchesa Casati, the Italian heiress, whose eccentric appearance made her the muse of artists and designers.

Gianni Versace’s Autumn/Winter 1992 fashion show, Miss S&M, was less of an extravaganza, but the looks, such as evening gowns with leather harnesses, helped make sexual fetishism fashionable.

Along with McQueen and Galliano, Hussain Chalayan was one of the stars of his generation of London-based designers. But Chalayan was much more of a conceptual designer. His Autumn/Winter 1999 show, Echoform, explored technology and transformation with runway looks like the shiny white fiberglass dress that flipped open like the fuselage of an airplane.

Martin Margiela’s Spring/Summer 1990 fashion show heralded the rise of deconstruction. Along with his iconic tabi boots, the show featured clear plastic garments with white tape marking the seams. Although avant-garde Japanese designers had begun to take apart the system of fashion, with this show Margiela carries the auto-critique further. Under the glamour and spectacle of the fashion system were its true components: materials, techniques, and ideas.

Subscription Required

The content on this page is not part of your subscription. To see previews of the content, uncheck the box above. Contact your library or administrator to find out more about what your institution has access to.