Bloomsbury Fashion Central

Table of contents

• Front matter
  • Map
  • Contributors
  • Encyclopedia Preface
  • Preface to Australia, New Zealand, and the Pacific Islands
• Part 1: Overview of Dress and Fashion in Australia, New Zealand, and the Pacific Islands
  • Geographical and Geopolitical Introduction
  • Economies and Cultures of Dress
• Part 2: First Nation Peoples of Australia
  • Aboriginal Dress in Australia: Evidence and Resources
  • Aboriginal Dress in Southeast Australia
  • Aboriginal Skin Cloaks
  • Dressing the Body in the Western Desert, Australia
  • Aboriginal Dress in Arnhem Land
  • Aboriginal Dress in North Queensland, Australia
  • Aboriginal Dress in the Kimberley, Western Australia
  • Torres Strait Islander Dress, Australia
• Part 3: European Dress in Australia
  • Images as a Resource for the Study of Australian Dress
  • Resources: Collections of Colonial Dress and Fashion in Australia
  • Settler Dress in Australia
  • Retailing, Clothing, and Textiles Production in Australia
  • Jews in the Melbourne Garment Trade
  • The Wool Industry in Australia
  • Rural Dress in Australia
  • Swimwear, Surfwear, and the Bronzed Body in Australia
• Part 4: Fashion in Australia
  • Urban Fashion Culture in Australia
  • Making and Retailing Exclusive Dress in Australia—1940s to 1960s
  • The Melbourne Cup and Racewear in Australia
  • Cosmetics and Beauty Culture in Australia
  • The Australiana Phenomenon in Australia
  • Urban Menswear in Australia
  • Fashion Photography in Australia
  • Independent Australian Fashion
  • Global Positioning of Australian Fashion
• Part 5: Types of Dress in Australia
  • Footwear in Australia
  • Ceremonial and Religious Dress in Australia
  • Military and Civil Uniforms in Australia
  • Sportswear in Australia
• Part 6: People and Dress in Australia
  • Convict Dress in Australia
  • Subcultural and Alternative Dress in Australia
  • Queer Dress in Australia
  • Popular Music and Dress in Australia
  • Children’s Wear in Australia
• Part 7: First Nation People (Māori) of New Zealand
  • Introduction to Māori Dress
  • Māori and European Dress: Cultural Exchanges in New Zealand
  • Moko Māori: Skin Modification
  • The Māori Pari (Bodice)
• Part 8: European (Pākehā) Dress and Fashion in New Zealand
  • Resources for the Study of European Dress and Fashion in New Zealand
  • Dress and Fashion in New Zealand
  • Paua Shell Costume Jewelry in New Zealand
  • New Zealand Textiles and Apparel Sectors
  • Black and New Zealand Dress
  • Designer Fashion in New Zealand
  • A Māori Fashion Designer
• Part 9: People and Dress in New Zealand
  • Liturgical Robes in New Zealand
  • Antarctic Explorer Wear
  • The Social Significance of Institutional Dress in New Zealand
  • The Swanndri in New Zealand
  • School Uniforms in New Zealand
  • Wearable Art in New Zealand
  • Pacific Sisters: Urban Pacific Art, Fashion, and Performance
  • Pacific Street Styles in Auckland
• Part 10: Peoples of the Pacific: Overview
  • Introduction to the Dress of the Pacific Islands
  • Photographic Representations of Pacific Peoples
  • The Social World of Cloth in the Pacific Islands
• Part 11: Polynesia
  • Hawaiian Dress Prior to 1898
  • Niue: Dress, Hats, and Woven Accessories
  • Missionary Dress in Samoa
  • Dressing the Body in Samoa
  • Ta’ovala and Kiekie of Tonga
  • Barkcloth Body Wrapping in Tonga
  • Dance Costumes in French Polynesia
  • Tahitian Tattoos
  • Dress and Appearance in Tahiti
  • Fijian Dress and Body Modifications
  • Dress of the Cook Islands
• Part 12: Melanesia
  • Bilas: Dressing the Body in Papua New Guinea
  • Textiles and Dress of the Motu Koita People
  • Dressing the Body in Bariai
  • Asmat Dress
  • Dress of Vanuatu
  • Dress in New Caledonia
  • Body Ornaments of Solomon Islands
• Part 13: Micronesia
  • Dress in Kiribati
  • Lavalava (Cloth) of the Rei Metau
  • Dress of the Chamorro
  • Dress in the Marshall Islands
• Part 14: Online Exclusives
  • Australian Fashion: A Shifting Global Position
  • Fashion and Film in Aotearoa New Zealand
  • Alcorso’s Textiles after “Modernage”
  • Character Creation and Costume Design in Australian Movies
  • Asia-Chic in 1970s Australian Fashion: The Case of Clarence Chai
  • Berlei: Selling Modern Australian Foundation Garments
  • Sewing Lessons in New Zealand Schools: Teaching Girls to be Good Women
  • Mavis Ripper: Early Australian Movie Costumier, Fashion Designer, and Portrait Painter