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Makeup on the Catwalk from the 1970s to 2000

Geraldine Biddle-Perry

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Article

This article is an exploratory history within a history of the catwalk since the 1970s. It examines the centrality of makeup to shifting systems and structures of catwalk performance and spectacle, but it is not a trend-by-trend analysis of cosmetic practices and products. Rather, the aim is to examine catwalk makeup as a generative force within the wider transformation of fashion image as commodity and cultural form in the latter decades of the twentieth century.

Beauty, Spa, and Wellness

Michele M. Granger

Source: The Fashion Industry and Its Careers: An Introduction, 3rd Edition, 2015, Fairchild Books Library

Book chapter

Sephora was founded in 1970 in France by Dominique Mandonnaud, who, in 1993, fashioned the store’s unique name by blending the Biblical name of Zipporah (Moses’ exceptionally beautiful wife) with the ancient Greek term for “pretty,” sephos. Today, Sephora is the leading chain of perfume and cosmetics stores in France and a powerful beauty retailer around the world. Sephora operates approximately 1,300 stores in 27 countries worldwide, with an expanding base of more than 300 stores across North Am

The People and Places of Costume Production

Clare M. Wilkinson-Weber

Source: Fashioning Bollywood. The Making and Meaning of Hindi Film Costume, 2014, Berg Fashion Library

Book chapter

Cultural fields are vulnerable to the effects of time in that no field can be expected to remain the same, even as its products and its rationale appear consistent. The essential framework of costume production in Mumbai has remained the same for nearly one hundred years, including its institutional figures (on-set costumers, or dressmen) and local economic contingencies (the vast number and versatility of tailors in the city). But any conversation with retired personnel brings to light the chang

The Catwalk

Judith C. Everett and Kristen K. Swanson

Source: Guide to Producing A Fashion Show, 3rd Edition, 2013, Fairchild Books Library

Book chapter + STUDIO

The individuals engaged to wear the apparel and accessories for fashion shows, advertisements, or magazine covers or editorials are known as models (mannequins). They must be able to effectively promote the image of the clothing to the audience in a believable manner and are very important to the image and success of the fashion show. Models may also infer a standard of excellence, something or someone to be emulated. Many people are inspired to wear and accessorize their clothing in a certain ma

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