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Into the Twentieth Century

Valerie Steele

Source: Paris Fashion. A Cultural History, 3rd Edition, 2017, Berg Fashion Library

Book chapter

Interviewed in 1903 about their favorite brand of corset, Mme. Réjane said, “pas besoin,” [no need] and Mlle Eve Lavaliére replied, “Je nien porte pas” [I don’t wear one].

Dress and the Arts

Joanne B. Eicher and Sandra Lee Evenson

Source: The Visible Self. Global Perspectives on Dress, Culture, and Society, 4th Edition, 2015, Fairchild Books Library

Book chapter

At the conclusion of this chapter, you will be able to:

Fabric Manipulation

Kimberly A. Irwin

Source: Surface Design for Fabric, 2015, Fairchild Books Library

Book chapter + STUDIO

Appliqué is the process of attaching another fabric, or patch, called patchwork, or ribbon or trim, called passementerie, to the surface of another fabric.

The Edwardian Period and World War I 1900–1920

Phyllis G. Tortora and Sara B. Marcketti

Source: Survey of Historic Costume, 6th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

From 1900 to 1920, many societal, political, and technological changes occurred that dramatically altered life for many people. Innovations such as the telephone and cable cars and trolleys made communication and travel easier. With enhanced interest and access to college and university education, and increased variety and complexity of jobs, more people needed simpler, easier to acquire clothing. By the beginning of the 20th century, ready-to-wear clothing, offered in a variety of styles, quanti

The Edwardian Period and World War I, 1900–1920

Phyllis G. Tortora and Sara B. Marcketti

Source: Survey of Historic Costume. Student Study Guide, 6th Edition, 2015, Fairchild Books Library

Book chapter

After studying this chapter, you will be able to:

Fortuny, Mariano

Gillion Carrara

Source: The Berg Companion to Fashion, 2010, Berg Fashion Library

Encyclopedia entry

Fortuny’s garments and textiles fuse history, anthropology, and art. By blending various dyes he achieved luminous, unique colors. Resurrecting the ancient craft of pleating fabric, artistically symbolizing a reflection of the sun’s rays, Fortuny developed his own interpretation of this craft and registered his heated pleating device in 1909. Between 1901 and 1933 he registered twenty-two patents, all of which related to garments and printing methods. Prolific in artistic pursuits, he printed etc

Italy

Elisabetta Merlo and Francesca Polese

Source: Berg Encyclopedia of World Dress and Fashion. West Europe, 2010, Berg Fashion Library

Encyclopedia entry

If we use the expression Italian fashion to indicate the production of garments and accessories that are marked by distinctive and unique features universally associated with Italian culture and identity, then such a phenomenon appears only well after the political unification of the country (1861) and indeed is barely discernible prior to World War II. Moreover, even once the creations of Italian couturiers became celebrated in international markets beginning in the 1950s, Italy’s fashion scene

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