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Viktor & Rolf

Aimee Scott

Source: Fashion Photography Archive 2015

Designer Biography

Global Influences: Challenging Western Traditions

Bonnie English

Source: Japanese Fashion Designers. The Work and Influence of Issey Miyake, Yohji Yamamoto and Rei Kawakubo 2011

Book chapter

The Maison Margiela teamThe designers that we most admire are ‘those with an authentic approach to their work.’

Viktor & Rolf*

Angel Chang

Source: The Berg Companion to Fashion 2010

Encyclopedia entry

Viktor & Rolf ’s first collection won the grand prize at the Salon européen des jeunes stylists (1993), a fashion festival in the southern French city of Hyères. When deconstruction was the trend, Viktor & Rolf reconstructed by piling layers of men’s button-down shirts to form ball gowns. The following year they suspended flashy gold garments adorned with oversized ribbons and excessive decorations from the ceiling in their installation L’Apparence du vide (1994) at the Galerie Patricia Dorfman,

The Netherlands

José Teunissen

Translated by Michael Gibbs

Source: Berg Encyclopedia of World Dress and Fashion. West Europe 2010

Encyclopedia entry

In the seventeenth century the Netherlands played a prominent role in fashion, transforming Spanish Catholic court fashion into sober, monochrome clothing symbolizing Calvinist Dutch burgher culture. Around 1800 most Dutch people wore regional dress; a small elite followed urban Parisian fashions, but several years behind. The rising bourgeoisie in large cities already tended to break away from traditional clothing with obvious class distinctions, yet frugality was always regarded as a principal

When Is Creativity?

Ingrid Loschek

Source: When Clothes Become Fashion. Design and Innovation Systems 2009

Book chapter

In the mid 1990s, the psychologist Hans Jürgen Eysenck conjectured that creative achievements might be connected to particularly weak filtering of stimuli in the brain. This filter function in the brain helps a person to select the most relevant from a wealth of impressions, to distinguish between the unimportant and the important. If the filter is especially permeable, it may present a prerequisite to unusual associations—which Eysenck regards as a typical characteristic of creativity. On the ot

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