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Fashion Accessories Presentations

Linda Tain

Source: Portfolio Presentation for Fashion Designers. Fourth Edition, 4th Edition, 2018, Fairchild Books Library

Book chapter

category specificsThe major areas of Categoriesfashion accessoriesfashion accessories are the following:

Introducing Innovation

Evelyn L. Brannon and Lorynn Divita

Source: Fashion Forecasting, 4th Edition, 2015, Fairchild Books Library

Book chapter + STUDIO

The essence of fashion is changeability. It satisfies the curiosity, the human drive towards what is new.

Louis Vuitton (house)

Stephanie Edith Herold

Source: Fashion Photography Archive, 2015, Fashion Photography Archive

Designer Biography

Brand Personification

Melissa G. Carr and Lisa Hopkins Newell

Source: Guide To Fashion Entrepreneurship. The Plan, The Product, The Process, 2014, Fairchild Books Library

Book chapter

A strong brand has incredible power—not just in how it is perceived in the world, but also in how it redefines the competitive landscape, connects with prospects and influencers, creates memorable experiences, builds lasting relationships, and helps entrepreneurs and corporate organizations better manage people, resources, and profits. The following images evoke the power and presence of internationally recognized brands (Figures 3.1, 3.2, 3.3, 3.4, and 3.5).

History of Classic Accessory Companies

Aneta Genova

Source: Accessory Design, 2012, Fairchild Books Library

Book chapter

Chapter Two tells the stories of six classic accessory companies—Hermés, Louis Vuitton, Roger Vivier, Ferragamo, Coach, and Manolo Blahnik—and their contributions to the fashion accessories industry. After reading this chapter, you will be able to recognize the products that are central to each company’s brand and how they have evolved over time.

Artists, Celebrity and Fashion: From Wilde and Warhol to Taylor-Wood

Pamela Church Gibson

Source: Fashion and Celebrity Culture, 2012, Berg Fashion Library

Book chapter

An installation at the Venice Biennale of 2009 set out to provide a picture of, or commentary on, the contemporary art world. But it proved, in retrospect, as problematic as trying to portray or parody fashion on film. The Dutch and Nordic pavilions were twinned that year, to display linked installations created by Michael Elmgreen and Ingar Dragset, two artists whose installation ‘The Collectors’ was intended, presumably, to illuminate the activity of that species. The Dutch Pavilion was created

Luxury Fashion Brands

Kaled K. Hameide

Source: Fashion Branding. Unraveled, 2011, Fairchild Books Library

Book chapter

The term LUXURY is actually a relative one. What may be luxury to one person or one culture may not be so to another, and what used to be luxury in the past may not be so in the future— in fact, it may even be considered standard. Nevertheless, we all seem to share some common understanding of what luxury ought to be. Just mention the word “luxury” and a mental image is automatically triggered. A few descriptions pop into most people’s minds, such as expensive, creative, trendy, exclusive, high q

Vuitton, Louis*

Alistair O’Neill

Source: The Berg Companion to Fashion, 2010, Berg Fashion Library

Encyclopedia entry

Accessories! Accessories! Accessories!

Nancy Plummer

Source: Your Personal Style, 2009, Fairchild Books Library

Book chapter

“The accessory is always a delicate balance between good and bad taste. In other words, a handbag may either make or break an outfit.”

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