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Hermès

Lauren Bowes

Source: Fashion Photography Archive 2015

Designer Biography

Islamic Style

Magdalena Crăciun

Source: Fashion Photography Archive 2015

Article

Fashion designers have found inspiration in past and present sartorial repertoires. Islamically appropriate forms of covered dress have aesthetically been drawn upon as well. Consequently, headscarves, face veils and head-to-toe outerwear have occasionally appeared on the catwalk. Fashion commentators have pointed out that such creations and assemblages referenced ethic, traditional, historical, exotic or oriental dress, and only rarely labelled their source of inspiration as Islamic style. The n

Miss Headscarf: Islamic Fashion and the Danish Media

Connie Carøe Christiansen

Source: Islamic Fashion and Anti-Fashion. New Perspectives from Europe and North America 2013

Book chapter

Whilst cultural commentators tended to downplay the aesthetic potential of the headscarf, contestants were generally more sensitive to its potential both as an item of fashion and self-cultivation. They were also conscious of the need to challenge perceptions of Muslim women through their appearance. In several of the Danish newspaper articles which featured the contest, young Muslim women in Denmark were given the opportunity to speak and to present another angle on the headscarf to that usually

American Immigrants of West European Origin

Judy Zaccagnini Flynn

Source: Berg Encyclopedia of World Dress and Fashion. The United States and Canada 2010

Encyclopedia entry

The dress of North American immigrants from Western Europe is a reflection of the evolution of their sociocultural experience as they went from their homelands to the New World. Immigration has existed from the early times of settlement in North America to the present. Western Europe (defined in 1890 as Italy, Spain, France, Great Britain, Norway, Sweden, Denmark, Germany, Netherlands, Austria-Hungry, Switzerland, France, and Luxembourg) provided the largest number of immigrants to the United Sta

Lebanese Women’s Dress

Nour Majdalany Hakim

Source: Berg Encyclopedia of World Dress and Fashion. Central and Southwest Asia 2010

Encyclopedia entry

Lebanon is a small country situated on the eastern shores of the Mediterranean. Prior to 1920 Lebanon had been under Ottoman rule and influence for four hundred years, under which cloth weaving and embroidery flourished. Following World War I it became part of the French Mandate, until its independence in 1943. At the turn of the twentieth century, Europe’s Industrial Revolution was gaining momentum, and the Ottoman Empire was weakening. With the introduction of European imports, local craftsmans

Dress and Religious Practices

Lynne Hume

Source: Berg Encyclopedia of World Dress and Fashion. Global Perspectives 2010

Encyclopedia entry

Religious dress visually communicates to observers that the wearer believes in a certain set of religious principles and practices. The status distinctions that exist within any group are also visibly conveyed by dress, which sometimes articulates nuances in the power structure markedly. At the same time, a religious group’s ideology may emphasize simplicity and humility, with these aspects reflected in their choice of clothing.

Romania: Ethnic Dress

Liz Mellish

Source: Berg Encyclopedia of World Dress and Fashion. East Europe, Russia, and the Caucasus 2010

Encyclopedia entry

Modern Romania incorporates the regions of Transylvania, Moldavia, and Wallachia. Rulers of the territory of modern Romania have included the Roman, Austro-Hungarian, and Ottoman Empires. Different regions have been affected by differing cultures, influencing dress developments. The basic structure of ethnic dress across Romania is similar to that of the surrounding countries of southeast Europe. Women’s clothing was based on homespun chemises worn with one or two woven wool aprons. Men’s clothin

Palestinian Scarves and Flag Dresses

Tineke Rooijakkers

Source: Berg Encyclopedia of World Dress and Fashion. Central and Southwest Asia 2010

Encyclopedia entry

The Palestinian scarf and the flag dress are powerful nationalistic and political icons. Their history is strongly connected to the disruptive occurrences of the twentieth century, such as the British Mandate period from 1922 to 1948, the foundation of the State of Israel in 1948, and the ensuing Arab-Israeli conflicts.

Hijab Online

Emma Tarlo

Source: Visibly Muslim. Fashion, Politics, Faith 4th Edition 2010

Book chapter

A brief glance at the homepage of thehijabshop.com gives a flavour of the nature of this commercial venture. The consumer is confronted by a range of different products and techniques of display. At the time of writing, this consisted of a new range of trendy modern jilbabs displayed on live models without heads, Cindy van den Bremen’s sports hijabs worn by professional models, the ‘pick of the day’ hijab displayed on a plastic mannequin of Caucasian complexion, a selection of fancy hijab pins, a

Aesthetics, Ethics and Politics of the Turkish Headscarf

Özlem Sandıkcı and Güliz Ger

Source: Clothing as Material Culture 2005

Book chapter

There are two passages in the Koran that address proper behaviour between men and women who mix outside kinship bonds, including ways of clothing and adornment:

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