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Maurizio Baldassari

Katy Conover

Source: Fashion Photography Archive 2015

Designer Biography

Video Art And Videophilia

Adam Geczy and Jacqueline Millner

Source: Fashionable Art 2015

Book chapter

From the beginning, video art was understood as anti-establishment. It can lay claim to a unique origin: unlike other visual arts media, it was forged in the crucible of contemporary, rather than modern, classical or ancient, art. It had no tradition so was not beholden to it. It had no canon so could start from scratch in response to its immediate circumstances. It had no critical discourse so was not accountable to it. It promised to democratize the production of images. Video art emerged at th

Glacé Wonderland: Cuteness, Sexuality and Young Women

Masafumi Monden

Source: Japanese Fashion Cultures. Dress and gender in contemporary Japan 2015

Book chapter

kawaii (cute) aestheticswomen andporn-chicKawase, Tomoko (Tommy)‘Bloomin’!’kawaii (cute) aestheticsinfantile kindKawaii is like love of humanity, you need a certain mental capacity, strength and experiences to appreciate the fragile.Hitomi, quoted and explained by Kenji of Milkboy during a Skype interview, 29 November 2013. I thank Kenji for sharing this important story.

Swimwear on the Catwalk, 1980–2000

Ciara Phipps

Source: Fashion Photography Archive 2015


This article will discuss the key styles, trends, and designers of women’s swimwear on the catwalk through the 1980s, 1990s, and early 2000s. It will discuss the impact of body image and the associated attitudes toward the body on the development and design of swimwear. The influence of Brazilian swimwear infiltrated Europe and America in the 1970s. The appearance of the tanga on the beaches of Rio de Janeiro, alongside the design of the thong by Gernreich in 1974, set in motion the body-baring s

Current Issues in The Fashion Media: Industry Roundtable

Djurdja Bartlett, Shaun Cole and Agnès Rocamora (eds)

Source: Fashion Media. Past and Present 2013

Book chapter

Laura Bradley, former fashion features editor at SHOWstudio, editor of i-D online (at the time of the conference), and now editor of and commissioning editor of Another Magazine

Fashion’s Digital Body: Seeing and Feeling in Fashion Interactives

Eugenie Shinkle

Source: Fashion Media. Past and Present 2013

Book chapter

For many years, the photograph has been fashion’s primary media form. Over the past decade, however, the dissemination of fashion has grown to encompass much more than still images: it now includes films, podcasts, Web sites, sound works, online magazines and other forms—all increasingly articulated around virtual bodies and located in virtual spaces. These days, the launch of a collection by a major fashion house is accompanied by a cross-platform media experience: ‘streamed as a YouTube runway

Branding, Fashion and Music

Janice Miller

Source: Fashion and Music 2011

Book chapter

A kind of special status for creative people is part of a set of characteristics constructed in the nineteenth century by the writers, poets, composers and painters that Raymond Williams (1971) labels the ‘Romantic Artists’. Williams argues that a certain mystique and an almost stereotypical artistic personality were created by and around sets of individuals as a method of resistance to encroaching industrialization.

Visual Media and Dress

Stella Bruzzi and Pamela Gibson Church

Source: Berg Encyclopedia of World Dress and Fashion. West Europe 2010

Encyclopedia entry

Visual media have played an enormous role in the development of fashion in West Europe. Fashion imagery emerged within print journalism, more specifically women’s magazines, in the eighteenth and nineteenth centuries. The development of popular cinema in the first half of the twentieth century had a momentous impact on the global fashion industry, especially in the star system, the “tie-in,” and the involvement of both couturiers and ready-to-wear designers in film. From the radical changes of th

Fashion on Smartphones

Leopoldina Fortunati and Yao Nie

Source: Berg Encyclopedia of World Dress and Fashion. Global Perspectives 2010

Encyclopedia entry

This article investigates fashion mobile applications that are mapped according to their features: content typology, number and average scores of ratings, as well as number of reviews posted by users and their content. Second, user behavior is compared between the United States and China, the two biggest smartphone markets in the world. Fashion mobile applications have an indirect relationship with the fashion system and millions of potential customers. In these applications, in fact, the relatio

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