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Betsey Johnson, Spring/Summer 1986

Veronica Maldonado

Source: Fashion Photography Archive 2015

Article

Presented at the Palladium nightclub in New York City, Betsey Johnson’s spring/summer 1986 collection depended on many of her signature tropes—her usual use of romantic stylings such as petticoats, crinolines, bustiers, and lace combine with kitschy accessories like kitchen utensils, baggie boxes as hats, baby bottle earrings, and feather dusters, creating a look that teases ideas of the feminine—the romantic femininity of the materials and silhouettes mixes with the traditionally female role of

Petticoat

Caroline Cox

Source: The Berg Companion to Fashion 2010

Encyclopedia entry

By the nineteenth century, petticoats had several functions. They were used as underlinen to provide warmth and protect outer clothing from an unclean body, to give a structure to the skirt depending on the fashionable silhouette of the time, and to disguise the shape of the legs to give a modest appearance to a woman. It formed part of an extensive range of underwear as worn by the Victorian woman, which was comprised of a chemise, drawers, corset, and several petticoats. Petticoats were general

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Underwear

Grace Evans

Source: Berg Encyclopedia of World Dress and Fashion. West Europe 2010

Encyclopedia entry

The fashionable silhouette has gone through bewildering changes during the last two hundred years, and these would not have been possible without the shapes created beneath. Underwear and outerwear progressed in tandem. Underwear designers responded to prevailing styles of fashionable dress, and fashion designers built and relied upon the capabilities of structural underpinnings as they developed. These changes were, in turn, influenced by key social, economic, and technological developments, whi

Invisible Clothing

Philippe Perrot

Source: Classic and Modern Writings on Fashion 2nd Edition 2009

Book chapter

Many maladies are caused by … corsets. Thin bodies, narrow shoulders. Out of four two are bones of some promise; one, bones which promise nothing; a fourth go to Nice with the consumption; another fourth will at twenty-six drag out six days of the seven in an invalid's chair.

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